Submitted by Marlene Santos (marlene.bc.ufg@gmail.com) on 2018-10-31T20:12:04Z No. of bitstreams: 2 Dissertação - Murilo Marçal Meireles - 2018.pdf: 3409099 bytes, checksum: 9fc9b879f3eb6b183d2f6f991c2240fe (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2018-11-01T11:18:32Z (GMT) No. of bitstreams: 2 Dissertação - Murilo Marçal Meireles - 2018.pdf: 3409099 bytes, checksum: 9fc9b879f3eb6b183d2f6f991c2240fe (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) / Made available in DSpace on 2018-11-01T11:18:32Z (GMT). No. of bitstreams: 2 Dissertação - Murilo Marçal Meireles - 2018.pdf: 3409099 bytes, checksum: 9fc9b879f3eb6b183d2f6f991c2240fe (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2018-05-25 / This paper aims to analyze the Orquestra de Violeiros do Estado de Goiás, a music group, formed in the 80’s in Goiania – GO, and has been developing a great job through the whole state since then. the first objective was to exam the identity and stylistic aspects which makes part of the orchestra and the importance of its existence to the local community. Aiming at understanding the meaning of the actions developed and the social representations established by the subjects in the involvement with this musical formation, the procedures performed were a bibliographical survey, consultations with the group's documentary collections, rehearsal and presentation observations - recorded in field diaries -, questionnaire application and interviews with the members and recipients of this cultural phenomenon. Thus, we collected specific data about the whole work, the history and the social context in which the music group is inserted, as well as explore the idiomatic elements which pertains to their artistic and cultural performances. The research methodology was formed from a qualitative approach, which is based in part on bibliographical sources of sociological and cultural studies, consequently, it brings data about the production field of the Orquestra de Violeiros do Estado de Goiás, and it calls attention to what and who it serves.The results demonstrated its significant meaning towards the historical and cultural patrimony quality of Goiás society, since the actions were likely promoted the execution and maintenance of the traditions and values linked to the memory of Música Caipira and Música Sertaneja, both intensively cultivated in this social environment. / O presente trabalho teve como objeto de pesquisa a Orquestra de Violeiros do Estado de Goiás, conjunto fundado na década de 1980, na cidade de Goiânia-GO e que, desde então, vem atuando musicalmente por todo o estado de Goiás. O principal objetivo deste estudo foi investigar os aspectos identitários e estilísticos que compõem esta Orquestra e a importância de sua atuação para o cenário local. Visando a compreensão do sentido das ações desenvolvidas e das representações sociais estabelecidas pelos sujeitos no envolvimento com essa formação musical, os procedimentos realizados foram levantamento bibliográfico, consultas aos acervos documentais do grupo, observações de ensaios e apresentações – registradas em diário de campo –, aplicação de questionário e entrevistas com os integrantes e receptores deste fenômeno cultural. Dessa forma, coletamos dados específicos sobre a obra, a história e o contexto social em que o conjunto musical está inserido, bem como exploramos os elementos idiomáticos concernentes ao seu fazer artístico e cultural. A metodologia da pesquisa se constituiu a partir de uma abordagem qualitativa, a qual se embasou em fontes bibliográficas de estudos sociológicos e culturais, trazendo, assim, dados acerca do campo de produção da Orquestra de Violeiros do Estado de Goiás, apontando para o que e a quem ela serve. Os resultados demonstraram o seu relevante significado na qualidade de patrimônio histórico-cultural da sociedade goiana porquanto as ações promovidas propiciarem a celebração e manutenção das tradições e valores ligados à memória da Música Caipira e da Música Sertaneja, ambas intensamente cultivadas neste meio social.

This research is the first known large-scale, instrument-specific, epidemiological study on the occupational health problems of violists. An online survey was developed based on a biopsychosocial framework to assess demographics, pain, musculoskeletal and non-musculoskeletal problems, music performance anxiety, and musician identity. Additionally, this is the first study known to investigate violists' perceptions and attitudes regarding viola jokes and negative stereotypes associated with viola players and their effects on violists' occupational health. Validated tools used to measure violists' health problems included the short-form McGill Pain Questionnaire (SF-MPQ) and the Musician's Identity Measurement Scale (MIMS). Results: This survey yielded a cohort N = 324 that was diverse in age, education, and professional involvement. The overall prevalence for violists that experienced musculoskeletal pain in the past year was 79%. For violists in pain, 51% reported being reluctant to inform others of their playing-related pain. In the past year, 89% of violists experienced music performance anxiety. 49% of violists reported having negative thoughts about viola jokes, with 23% indicating they experience music performance anxiety because of viola jokes. The prevalence rates for non-musculoskeletal problems, perceived factors that influence pain, and the influence of viola jokes suggest that high levels of biopsychosocial stressors are often associated with the classical music genre and playing the viola. The results from this research can be used to enhance music teacher-training programs, inform performance practice and viola pedagogy, and educate clinicians about the health risks of playing the viola.