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The Study of Ned Rorem¡¦s Vocal Chamber Music ArielChou, Pei-yin 16 February 2012 (has links)
This study focuses on analyzing and discussing the interpretation of the vocal chamber music Ariel by the 20th century American composer Ned Rorem. (1923-)
In 1971, Rorem was commissioned to compose a vocal chamber music for soprano, clarinet and piano by one of his good friend, an American well-known soprano, Phyllis Curtin(1921) . He picked up five pieces of works from the anthology, Ariel, of Sylvia Plath(1932-1963), the American female poet, for this composition. With a tie-in of Plath¡¦s poems and the poetry¡¦s life experience, Rorem used various musical language to reveal the sorrow and frustration in the mind of a woman whose husband has affair, and also the ideology of death in these poems .
This essay consists of five parts: 1. Composer Ned Rorem¡¦s life, 2. Rorem and his art songs, 3. Poet Sylvia Plath's life, 4. The composed background of the vocal chamber music, Ariel, 5. Analysis and interpretations of the five lyrics and songs of Ariel. Through my study of Ned Rorem¡¦s Ariel, I hope to assist the readers having a better understanding to this work, as well as providing useful ideas for the interpreta-tion.
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Style in Mid-Seventeenth Century Roman Vocal Chamber Music: The Works of Antonio Francesco Tenaglia (c. 1615-1672/3)Kolb, Richard Edward 06 July 2010 (has links)
No description available.
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THE CLARINET IN THE VOCAL CHAMBER MUSIC OF ANTON WEBERNDELL, AMANDA PROCTOR 23 May 2005 (has links)
No description available.
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A Performer’s Guide to Minoru Miki’s <i>Sohmon III for Soprano, Marimba and Piano</i> (1988)Ozaki-Graves, Margaret T. January 2010 (has links)
No description available.
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A Performer’s Guide to Minoru Miki’s <i>Sohmon III for Soprano, Marimba and Piano</i> (1988)Ozaki-Graves, Margaret T. 20 September 2011 (has links)
No description available.
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Comparison of Holograph and Copyist Scores of Charles Martin Loeffler's "Rapsodies pour voix, clarinette, alto, et piano" (1898)Lickteig, Daniel Paul 12 1900 (has links)
Rapsodies pour voix, clarinette, alto, et piano is a set of three songs by Charles Martin Loeffler (1861-1935) with text by Maurice Rollinat (1846-1903). The songs were composed in the summer of 1898 but never published during Loeffler's lifetime. This study compares Loeffler's holograph and copyist scores, showing differences in pitch, rhythm, and various articulation markings. Loeffler and Rollinat's biographies are included, along with scans of the holograph and copyist scores.
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