Jiangnan is on the brink of revolution: a network of bullet train lines will re-territorilize this region of China, including Shanghai, drawing its 80 million inhabitants within a single hour’s commute of one another. From the train, the boundaries between Jiangnan’s ancient cities, villages, and countryside appear to dissolve into a momentary smear of colour. At the very moment the earth has shrunk by the bullet train, Jiangnan’s new mega-city status will erode a sense of community rooted in long stable demarcations of place. The humanity that endures will likely be atomized, lost in a vast, blurred, and indecipherable landscape that has sacrificed community for the high-speed design of a relentless modernity. Fuciao Cun Village, which stands at the geographic centre of Jiangnan, is being dismantled to accommodate explosive urban growth. Only the abandoned temple remains. The surviving temple is imagined to harbour three voices, each offering an alternate vision speed, space and time. Motionscapes studies the scene from the bullet train window and the power of the temple as a ruin, standing still in a landscape of radical flux. Waterland re-tools the temple site to choreograph new economies and transportation networks that respond and reveal a topography continuously animated by water. Finally, Maritime Theatre turns to classical Jiangnan gardens, cities, and temples for tactics of place-making. These techniques attempt to evoke collective memory to waken a dormant yet resilient zeitgeist at the uprooted site. Motionscapes, Waterland, and Maritime Theatre each offer an architectural intervention, the temple as ruin, waterworks and brickworks, and theatre. In sum, the three proposals at Fuciao Cun Temple are layered to project a fuller and inclusive experience of place onto a broader landscape, otherwise derationed, homogenized, and sacrificed by a manically technologic modernity.

Jiangnan is on the brink of revolution: a network of bullet train lines will re-territorilize this region of China, including Shanghai, drawing its 80 million inhabitants within a single hour’s commute of one another. From the train, the boundaries between Jiangnan’s ancient cities, villages, and countryside appear to dissolve into a momentary smear of colour. At the very moment the earth has shrunk by the bullet train, Jiangnan’s new mega-city status will erode a sense of community rooted in long stable demarcations of place. The humanity that endures will likely be atomized, lost in a vast, blurred, and indecipherable landscape that has sacrificed community for the high-speed design of a relentless modernity. Fuciao Cun Village, which stands at the geographic centre of Jiangnan, is being dismantled to accommodate explosive urban growth. Only the abandoned temple remains. The surviving temple is imagined to harbour three voices, each offering an alternate vision speed, space and time. Motionscapes studies the scene from the bullet train window and the power of the temple as a ruin, standing still in a landscape of radical flux. Waterland re-tools the temple site to choreograph new economies and transportation networks that respond and reveal a topography continuously animated by water. Finally, Maritime Theatre turns to classical Jiangnan gardens, cities, and temples for tactics of place-making. These techniques attempt to evoke collective memory to waken a dormant yet resilient zeitgeist at the uprooted site. Motionscapes, Waterland, and Maritime Theatre each offer an architectural intervention, the temple as ruin, waterworks and brickworks, and theatre. In sum, the three proposals at Fuciao Cun Temple are layered to project a fuller and inclusive experience of place onto a broader landscape, otherwise derationed, homogenized, and sacrificed by a manically technologic modernity.

Abstract To integrate the operating ability and to enhance the operating efficiency of financial institutions, the government of Taiwan promulgated the act of financial holding company in June 2001. Fourteen licenses of financial holding company have been issued since then and the purpose of forming financial holding companies is to increase their international competitiveness which is important to Taiwan since she has become a member of WTO. Among those 14 financial holding companies they are different in scales, in operating strategies and in operating performances. Can those small-scaled financial holding companies survive in the market with increasing competitiveness? Should they merge with other large scaled financial holding companies? The purposes of this thesis are to analyze the previous two questions. In other words, we examine the impact of the Act on the operating strategy and performance of two small-scaled financial holding companies: Jin Sun and Waterland financial holding companies. To address the second issue mentioned previously, we also analyze the operating strategies and performances of the Fubon financial holding company, which is known as having the advantage of stores and branches and of marketing financial products. Our research provides critical operating strategies for Jin Sun and Waterland financial holding companies to enhance their operating performances.

Nineteenth-century British authors, in particular, Charles Dickens, Charlotte Bronte, and Jane Austen, often turned to orphaned children as a means to drive the plot of their novels. While struggles such as displacement were often accurately depicted, the abovementioned authors and their contemporaries often glossed over or completely disregarded the trauma and psychological implications felt by these orphans. As psychology gained prominence as a discipline through the works of Sigmund Freud and others, modern British literature saw a shift in its consideration of orphans and, additionally, emotionally absent mothers. This thesis will examine three modern British novels; Ian McEwan’s Atonement, Kate Atkinson’s Behind the Scenes at the Museum, and Graham Swift’s Waterland with respect to their exploration of the psychological and possible traumatic impact of their protagonists lives in a variety of disrupted family dynamics.

In much of the historiography surrounding print culture and the book trade, the worldliness of print remains a point of common emphasis. Indeed, many influential studies either assume or actively present the history of print as part of a broader ‘secularization thesis’. Recently, however, historians have challenged these narratives, recognizing the central role of religious print as a driver of growth within the book trade and discussion within the nascent ‘public sphere’. Yet the scholarship into ‘religion and the book’ remains fragmentary, focused on individual genres or persons, with no unified monograph or standard reference work yet to emerge. This dissertation addresses some of the barriers to synopsis by investigating the long-term print output of the largest social and professional group engaged in evangelizing Christianity to the public: the clergy of the Church of England. By focusing on the clergy, this dissertation evades the usual narrow focus on genre. In the past, book-historical and bibliographic studies have relied heavily on a priori classification schemes to study the market for print. While sufficient in the context of relatively well-defined genre categories, such as printed sermons, the validity of these classification schemes breaks down at the wider level, for example, under the conceptual burden of defining the highly fluid and wide-ranging category of ‘religious works’. This dissertation begins to remedy such problems by modelling the print output of a large population of authors who had the strongest stake in evangelizing Christianity to the public through print. It utilizes the latest techniques in the field of digital humanities and bibliometrics to create a representative sample of the print output of the Anglican clergy over the ‘long’ eighteenth-century (here 1660-1800). Based on statistical trends, the thesis identifies a crucial period in the history of clerical print culture, the first four decades of the Hanoverian regime. The period is explored in detail through three subsequent case studies. By combining both traditional and digital methods, therefore, the dissertation explores clerical publishing as a phenomenon subject to evolution and change at both the macro and micro level. The first chapter provides an overarching statistical study of clerical publishing between 1660 and 1800. By combining data from two bibliographical datasets, The English Short-Title Catalogue (ESTC), and the prosopographical resource, The Clergy of the Church of England Database (CCED), I extract and analyse a dataset of clerical works consisting of almost 35,000 bibliographic records. The remaining chapters approach the thesis topic through primary research-based case studies using both print and manuscript sources. The case studies were selected from the period identified in the preceding statistical analysis as a crucial transitional moment in the history of clerical publishing culture, c.1714 to 1750. These case studies form chapters 2, 3, and 4, each of which explore a different aspect of a network of authors who worked under the direction of the bishop of London, Edmund Gibson (1723-1748), during the era of Whig hegemony under Sir Robert Walpole. Finally, an appendix outlines the methodology used in chapter 1 to extract the sample of clerical printed works from the ESTC. Overall, the thesis demonstrates the profound influence of the clergy on the development of English print in the hand-press period. It thus forms both a historiographic intervention against the secularization thesis still implicit in discussions of print culture and the book trade, as well as providing a cautionary critique of the revisionism which has shaped recent investigations into the Church of England.

The Barrett (1972-1975) and Harcourt-Clark (1991-2001) New Democratic Party (NDP) governments attempted to redefine their relationship with the mining industry by changing the regulatory structures that governed mining in British Columbia. In both cases the mining industry publicly resisted these attempts, and was successful in having the reforms dismantled by subsequent free-enterprise oriented governments. These instances of conflict were centred on a foundational debate over government’s role in, and/or duty to, the mining industry. Intense industry-led resistance occurred when the traditional industry-government compact, which required government to serve as a promoter of the industry, and a liquidator of Crown owned mineral resources, was perceived to have been violated. The Barrett government more stringently asserted its ownership of public mineral resources through the enactment of a mineral royalty, and by assuming greater regulatory authority over mining operations. These actions instigated a substantial public relations campaign against the Barrett government over taxation laws. The Harcourt-Clark government pursued the development of strategic land-use plans and rejected the historic consensus that mining was innately the highest and best use of the land. This led to substantial anti-government rhetoric and an industry withdrawal from all public engagement and land-use planning processes. In both cases the mining industry was able to revive the traditional relationship when free-enterprise oriented governments replaced the NDP administrations. / Graduate / 2018-12-15

This thesis is the first full-length study of the English clergyman and historian William Cave (1637-1713). As one of a number of Restoration divines invested in exploring the lives and writings of the early Christians, Cave has nonetheless won only meagre interest from early-modernists in the past decade. Among his contemporaries and well into the nineteenth century Cave’s vernacular biographies of the Apostles and Church Fathers were widely read, but it was with the two volumes of his Scriptorum Ecclesiasticorum Historia Literaria (1688 and 1698), his life’s work, that he made his most important and lasting contribution to scholarship. The first aim of the thesis is therefore to build on a recent quickening of research into the innovative early-modern genre of historia literaria by exploring how, why, and with what help, in the context of late seventeenth-century European intellectual culture, Cave decided to write a work of literary history. To do so it makes extensive use of the handwritten drafts, annotations, notebooks, and letters that he left behind, giving a comprehensive account of his reading and scholarly practices from his student-days in 1650s Cambridge and then as a young clergyman in the 1660s to his final, unsuccessful attempts to publish a revised edition of his book at the end of his life. Cave’s motives, it finds, were multiple, complex, and sometimes conflicting: they developed in response to the immediate practical concerns of the post-Restoration Church of England even as they reflected some of the deeper-lying tensions of late humanist scholarship. The second reason for writing a thesis about Cave is that it makes it possible to reconsider an influential historiographical narrative about the origins of the ‘modern’ disciplinary category of literature. Since the 1970s the consensus among scholars has been that the nineteenth-century definition of literature as imaginative fictions in verse and prose – in other words literature as it is now taught in schools and universities – more or less completely replaced the early-modern notion of literature, literae, as learned books of all kinds. This view is challenged in the final section of this thesis, which traces the influence of Cave’s work on some of the canonical authors of the English literary tradition, including Johnson and Coleridge. Coleridge’s example, in particular, helps us to see why Cave and scholars like him were excluded lastingly from genealogies of English studies in the twentieth century, despite having given the discipline many of its characteristic concerns and aversions.