Global ETD Search

1	Persuasions of Memory: The Metamorphosis of Memory in the Precious Object Miller, Melissa Anne, mel.miller@gmx.com January 2009 (has links) This project takes the portrayal of memory in wearable jewellery and jewellery object making in two directions. The relationship between memory and the experiences it represents is revealed within the singular jewellery object through structural, iconographical, or material relationships among elements of the object. Reinterpretations of the original primary jewellery object result in series of jewellery objects and wearable jewellery that express ideas about the altering of memory. Jewellery objects with removable wearable jewellery components act as memory models, revealing ideas about memory processes through the relationships among their elements. The juxtaposition of soft and hard materials is used as a metaphor of memory. The result of the project is a body of work consisting of wearable jewellery and jewellery objects1 which manifest ideas about memory; specifically, the relationship between memory and the experiences it represents. The work draws on traditions in the gold- and silversmithing field of creating objects to be used as signifiers of memories3 and mnemonic devices. The primary aim of the project is not to create direct representations of personal memories or collections of found objects that represent cultural histories. Instead, the work engages in a visual and tactile exploration of memory itself: the processes of remembering experiences and the alteration of memory over time. Series of jewellery objects and wearable jewellery reveal ideas about the relationship between memory and experience both within singular objects and among altered objects in series. memory wearable art jewellery
2	Wearable art inspired by the effects of information technology at the beginning of the twenty-first century King, Susan R. January 2000 (has links) (PDF) Thesis--PlanA (M.S.)--University of Wisconsin--Stout, 2000. / Design option. Includes bibliographical references. Costume design. Wearable art.
3	About tailored wearable design / Chenault, Lindsay January 2008 (has links) Thesis (M.F.A.)--Georgia State University, 2008. / Title from file title page. Stan Anderson, committee chair; Nancy Floyd, Elizabeth Floop, committee members. Electronic text (55 p. : col. ill.) : digital, PDF file. Description based on contents viewed June 6, 2008. Includes bibliographical references (p. 53-55).
4	Form as symbol : allure and defense / Hart, Alexandra N. January 1994 (has links) Thesis (M.F.A.)--Rochester Institute of Technology, 1994. / Typescript. Includes bibliographical references (leaf 18).
5	IT WAS, IT IS, WHAT IF Lopez Barazarte, Maria Angelica, BARAZARTE 17 August 2017 (has links) No description available. Fine Arts Textile Research Design
6	The Female Experience of Cancer, Seen Through Art DiFranco, Maria K. 14 September 2016 (has links) No description available. Fine Arts cancer art artist woman female illness disease printmaking female body body artist interpretation sewing photography wearable art participatory art social practice audience participation
7	Space Program Yes, Melissa R. January 2017 (has links) No description available. Fine Arts Performing Arts art installation installation art conceptual art mail art sculpture wearable art costume performance performance art video video art film TV media sci fi westerns Americana space outer space narrative music

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