Thesis (Ph.D.)--McMaster University, 2003. / Includes bibliographical references (leaves 268-302). Also available via World Wide Web.

Thesis (Ph. D.)--University of North Texas, May, 2008. / Title from title page display. Includes bibliographical references.

Thesis (M.S.)--Auburn University, 2008. / Abstract. Includes bibliographical references (p. 70-77).

Thesis (Ph. D.)--University of Massachusetts at Amherst, 2004. / "Printed in 2005 by digital xerographic process on acid free paper"--Prelim. p. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 65-69).

Thesis (Ph. D.)--State University of New York at Binghamton, Department of English, General Literature and Rhetoric, 2009. / Includes bibliographical references.

Thesis (Ph. D.)--University of Massachusetts at Amherst, 2004. / "Printed in 2005 by digital xerographic process on acid free paper"--Prelim. p. Includes bibliographical references (p. 65-69).

This study is designed to observe what 21st century women‟s body ideal is, to give an insight to the women‟s body image representation on Instagram and to find out if social media influencer Michelle Lewin complies with this sociocultural image. Although there is an extensive amount of research on the mass media‟s effect on defining and imposing the ideals on women‟s body image, few studies have explored and focused on the image-based social media platform, Instagram. Instagram is an important space for body image research, as its content is mainly visual and everybody has the ability to be both a consumer and an active producer of the content. Mass media have been frequently accused of imposing limited and unachievable representations of femininity and consequently causing perceived women dissatisfaction with their bodies. As Instagram is becoming increasingly popular, it is important to explore potential ramifications of this social paradigm for current and future generations. In this study, I conduct a qualitative content analysis of images of the top fitspo influencer Michelle Lewin specifically focused on women‟s body image. By analyzing latest content (posts of the year 2018) from her Instagram account, I seek to understand what is the relation between the most common types of posts and the ones that receive most engagement from her followers. Finally the research reveals: the most common theme of the images coded are those where Michelle Lewin appears posing in a sexually suggestive manner, unrelated to any fitness activity – those are the images that receive highest engagement from her followers. My hypothesis where I state that Michelle Lewin depicts 21st century woman‟s body ideal ultimately proves right by the results of this study. At the end of the day, her body is the image of body ideal that she represents and commercializes though Instagram.

Jean-Paul Sartre is not traditionally thought of as a philosopher of the body and, until very recently, little critical attention has been paid to this aspect of his work. Nevertheless, since 2005 a number of articles have begun to appear which suggest that Sartre‘s account of the body in L’Être et le Néant may be worthy of more consideration than it has thus far received – perhaps most notably Joseph Catalano‘s 2005 article suggesting that the chapter on the body is central to a proper understanding of Sartre‘s philosophy. Simone de Beauvoir is often criticised for her writing on the body in Le Deuxième Sexe, with much of the criticism suggesting that Beauvoir‘s use of existential philosophy is to blame for her failings. Yet Toril Moi argues that Beauvoir‘s claim that the body is a situation, a claim that arises from existential philosophy, is a valuable contribution to feminism. In light of these developments, it seems pertinent to look again at Sartre‘s chapter on the body in L’Être et le Néant and at Beauvoir‘s work to try to understand exactly what is meant by the body as a situation and how this concept relates to Sartre and Beauvoir‘s well-known ideas on freedom and responsibility. The aim of this thesis is to examine the importance of the chapter on the body in L’Être et le Néant and to demonstrate its relevance to Sartre‘s philosophy as a whole, to look at how Beauvoir has used Sartre‘s philosophy in her own writing and to consider the relevance of that philosophy to more contemporary writing on the body. The thesis will focus on L’Être et le Néant, Le Deuxième Sexe, and La Vieillesse with references also made to both authors‘ fictional works, to Beauvoir‘s autobiographical writings, and to more contemporary work on the body.

Thesis (doctoral)--Innsbruck, Universität, 2000. / Originally presented as the author's thesis (doctoral - Innsbruck) under the title: Zur ethischen Relevanz der Körperlichkeit in der feministischen Theologie und Philosophie. Includes bibliographical references (p. 248-263).

This thesis discusses the relationship between the experiences particular to the female body, namely pregnancy and childbirth, and the language employed to voice these experiences. This thesis is set up to reflect the physical cycle of pregnancy and birth. It is divided into three chapters. The first chapter discusses the desire for and the conception of a new use of language, a language equipped to carry the messages, creations, and voices of women. The conception of an expansion of language and the physical conception of a child are paralleled. In this chapter, poetry about wanting to write, wanting to become pregnant, and conception are used as examples of the emergence of the expanded language. In Chapter Two, the incubation of this new language is discussed, its many components and characteristics are described, and the discussion of the possible existence of a womens language is continued, by again analyzing a selection of poetry written by women. In this chapter, poetry about pregnancy and childbirth are used to exemplify the use of this language. The discussion of the gestation and birth of the expanded language with the physical gestation and birth of a child are paralleled. In Chapter Three, this notion of a womens language is further discussed, using poetry about new motherhood to demonstrate the effectiveness and existence of new ways to employ our given language. The discussion of what comes after the birth of a new, expanded language is paralleled with the experiences of a mother after the birth of her child. The ultimate conclusion of this thesis is that there is no one language that women do or should employ when writing, but a movement toward writing through the body when writing about the body, about experiences solely experienced by women.