Texte remanié de: Tesi dottorale--Roma--Università, 2001. Titre de soutenance : I cattolici inglesi in epoca elisabettiana "conformismo occasionale" o pratica nicodemitica. / Bibliogr. p. 331-360. Index.

Thesis (M.A.E.T.)--Covenant Theological Seminary, 2001. / Abstract. Includes bibliographical references (leaves 85-87).

Thesis (Ph. D.)--University of Texas at Austin, 2001. / Vita. Includes bibliographical references. Available also from UMI/Dissertation Abstracts International.

Thesis (M.A.)--Northern Michigan University, 2009. / Bibliography: leaves 43-45.

Zugl.: Konstanz, Univ., Diss., 2006

Thesis (Th. M.)--Westminster Theological Seminary, Philadelphia, 2002. / Includes bibliographical references (leaves 73-77).

As they took stock of the ways that the Great Migration and America’s post-war global role were changing the South, Richard Wright, Carson McCullers, Ralph Ellison, and Albert Murray crafted narratives that articulated a particular perspective on the South. These writers dreamed of putting the regionally distinctive characteristics that they found valuable in the South into conversation with a sense of expansiveness and possibility, one that they associated with a migratory and increasingly globally-connected nation. In this project, I examine these southern cosmopolitan negotiations in Wright, McCullers, Ellison, and Murray’s southern narratives, and I argue that these writers are crucial to our understanding of the post-migration South in the twentieth and twenty-first centuries. / text

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Frank Lloyd Wright (1867 - 1959) is amongst the most famous architects of all time, and is known as the greatest American architect. His personal life was filled with publicized difficulties and scandal, and he was well-known for his flamboyant and charismatic personality, his innovation modern design philosophies, and for the enormous number of realised and unrealised projects (approximately 450 buildings and another 550 unrealized projects) completed during his career which spanned seventy four years. / When he developed his Prairie style of design in the mid-1880s, inspired by the teachings of his mentor Louis Sullivan, he began a revolution in domestic architecture, firstly in America, but which then exerted a powerful impact on other Western countries. He and his work became icons of a new modern organic architecture. In Europe he influenced progressive architects and contributed to the development of Modernism when the spirit of his work and ideas was adopted and then reflected in the creation of the Modernist aesthetic. / Thesis (MArchitecture)--University of South Australia, 2005.