Thesis (Ph. D.)--Bob Jones University, 1992. / Abstract. Includes bibliographical references (leaves 318-336).

Thesis (Ph. D.)--Bob Jones University, 1992. / Abstract. Includes bibliographical references (leaves 318-336).

Thesis (D.M.A)--University of Cincinnati, 2006. / Title from electronic thesis title page (viewed Sept. 15, 2006). Includes abstract. Keywords: Modern clarinet work; Korean music. Includes bibliographical references.

Dissertation--Berlin--Freie Universität, 2001. / Bibliogr. p. [315]-328.

The Book of Odes carries specific classical aesthetic, political, social and literature value. How it was reflected by traditional scholar Chŏng Yak-yong in monarch Chosŏn dynasty within the rhetoric end? Between the conflict within text knowledge of traditional classics and practical knowledge of western learning, how Chŏng Yak-yong balanced and combined them with rhetorical discourses of fengci(풍자,讽刺)? And what Chŏng Yak-yong understood the rhetoric of fengci offered the open end for the future development of understanding the tradition. Chŏng Yak-yong was one of Korean traditional scholars in late Chosŏn dynasty and through his commitments the fengci in the Book of Odes, I tried to dignify Chŏng Yak-yong’s assumption to image of Korean state confronting the influence of western practical learning and western Catholic religion. Chŏng Yak-yong through his commitments rhetoric of fengci in the Book of Odes rebirthed the traditional thoughts with new contents under the influence of western practical learning. His ideology of state of Korea was based on the traditional text knowledge, meanwhile combined western practical knowledge to build Korean new specific knowledge essence of morality, value and the emotion of public of Koreans, revealing and realizing the power of the state. Even more, his understanding of the fengci in the Book of Odes was based on fengci’s social critical function, associating with Korean traditional ethic value of humanism, rebuilding the essential nature of ruler and noble to the public, which was proper to the current political domination of monarch system. Additionally, the discourse of fengci contained in the Book of Odes would have its literature meaning as poems to the society and political domination. This thesis would find the way that fengci as the rhetoric that how its discourse related the society, politics and literature as an integrated system in monarch late Chosŏn period. / text

No description available.

Thesis (M. Phil.)--Hong Kong Baptist University, 2000. / Thesis submitted to the Dept. of Chinese Language and Literature. Includes bibliographical references (leaves 195-200).

This thesis will explore the images of nüxia or “female knight-errant” in Jin Yong’s novels: The Eagle-Shooting Heroes, the Giant Eagle and Its Companion, and the Heaven Sword and the Dragon Saber. The depiction of nüxia underwent a significant development from the classical to modern literature of knight-errantry-related genre. Jin Yong, the master of wuxia fiction, has created many remarkable nüxia that distinguishes his nüxia images from the literary conventions. To examine Jin Yong’s uniqueness in portraying nüxia, this thesis will look into the history of nüxia-related works of poetry and classical literature, and analyze Jin Yong’s nüxia in the context of the literary history. / Graduate

This thesis examines Jin Yong¡¦s martial arts novels under the aspect of national consciousness. It first reviews the historical development of martial arts fiction and discusses when and under which circumstances phenomena like national consciousness, nationalism, and patriotism became essential elements of martial arts fiction. There follows an analysis of seven Jin Yong martial arts novels to point out each novel¡¦s characteristics with respect to national consciousness, and to discuss the changes of the patriotism subject in Jin Yong¡¦s works. Another focus is on the reaction and evaluation of literary critics towards Jin Yong¡¦s works. The author analyses the critics¡¦ attitude to the ¡§Chineseness¡¨ of Jin Yong¡¦s novels, and further discusses the Chinese characteristics of martial arts fiction, including a comparison of Chinese martial arts novels and Western adventure novels.

Zugl.: Köln, Universiẗat, Diss., 2009.