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Objectiles in flux : the oscillation of interior elements through superimpositioning

An experience is always in a state of becoming as you through movement and memory, perceptions and qualia assemble it into its virtual construct. Ackording to philosopher and architecture theorist Bernard Cache who dwells on Henri Bergsonsnotion of perception & memory. Even the smallest perception is itself already composed of a multitude  of vibrations. Bergson [Henri] reminds us that the simple fact of seeing a colour or hearing a sound is already an act of memory of which contracts a quantitative multitude into a quantative multiplicity. Through Bergons idea of memory & perception we realize that the ”vibrations” that Cache mentions generates a virtuality between the environment and an experiencing subject. It’s within this oscillation between present and memory that all experiencing unfolds. This virtuality is fascinating to me as an interior architect, as it suggests that the environments we build aren’t as static as one might think

Identiferoai:union.ndltd.org:UPSALLA1/oai:DiVA.org:konstfack-6374
Date January 2018
CreatorsReinius, Daniel
PublisherKonstfack, Inredningsarkitektur & Möbeldesign
Source SetsDiVA Archive at Upsalla University
LanguageEnglish
Detected LanguageEnglish
TypeStudent thesis, info:eu-repo/semantics/bachelorThesis, text
Formatapplication/pdf
Rightsinfo:eu-repo/semantics/openAccess

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