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Previous issue date: 2015-08-31 / Nesse trabalho, investigamos a constru??o simb?lica de uma dada espacialidade, partindo do
pressuposto te?rico de que os espa?os s?o constru??es subjetivas que se d?o no interior de
diferentes culturas, articulando sentimentos e racionalidades, mas, sobretudo, os espa?os s?o
constru??es humanas conduzidas pelas rela??es sociais, fruto do investimento material e
simb?lico que traduz as necessidades de uma determinada sociedade em um dado momento
do devir hist?rico. Nesse sentido, analisaremos a constru??o simb?lica e imag?tica da regi?o
central de Portugal, o Alentejo, a partir da produ??o liter?ria (1916 ? 1930) da poeta
portuguesa Florbela D?Alma Concei??o Espanca. Propomos analisar a obra florbeliana n?o s?
a partir de suas rela??es internas, mas tamb?m externas, enfatizando a liga??o entre hist?ria,
espa?o e literatura. Dessa forma, propomos indagar acerca da dimens?o simb?lica ? dos
significados, das imagens e das representa??es ? que incitou uma das mais controversas
poetas portuguesa do in?cio do s?culo XX ? se debru?ar na constru??o po?tica do espa?o
alentejano, questionando n?o s? os sentidos agenciados pelo discurso liter?rio de Florbela
Espanca para inventar o seu Alentejo, adornado pela mem?ria, pela dor e pela saudade, mas
investigar como o meio sociocultural em que viveu influenciou na sua obra, na sua vida e nas
formas de sentir e viver o Alentejo. Para melhor compreendermos como a poeta significou a
espacialidade alentejana, ao longo desse trabalho problematizaremos tr?s categorias de espa?o
na obra de Florbela Espanca: a regi?o, o campo e a paisagem. Dessa forma, essa pesquisa se
insere no campo da hist?ria cultural na medida em que vamos trabalhar com toda a produ??o
liter?ria de Florbela Espanca, cartas, di?rios, fotos e biogr?ficas e cr?ticas liter?rias,
delimitando um recorte temporal de 1916 ? in?cio da atividade intelectual de Florbela Espanca
? ? 1930 ? publica??o de Charneca em Flor (p?stumo) e o suic?dio da poeta. Portanto, num
constante exerc?cio simb?lico das palavras atravessado pelos sentimentos mais subjetivos do
sujeito, a todo o momento nosso trabalho ser? guiado pelo questionamento do que seria o
Alentejo para a poeta, que sentidos e significados atravessou essa espacialidade que marcou
t?o soberanamente as mem?rias mais felizes e tristes da vida de Florbela Espanca. / In this work, we investigate the symbolic construction of a particular spatiality, starting from
the theoretical assumption that spaces are subjective constructions guided by different
cultures, feelings and rationales, but mostly spaces are human constructs driven by social
relations, as a result of the material investment and symbol that reflects the needs of a
particular society at a given time of historical development. Accordingly, we analyze the
construction and symbolic imagery of the central region of Portugal, the Alentejo, from the
literary production (1916 ? 1930) the English poet Florbela Espanca D'Alma Conception
Espanca. Thus, we propose to analyze the florbelian work not only from its internal relations,
but also external, emphasizing the link between history, space and literature. Thus, we
propose to inquire about the symbolic dimension ? the meanings of images and
representations ? which prompted one of the most controversial Portuguese poets of the early
twentieth to look into the poetic construction of space Alentejo century, questioning not only
the senses brokered by speech literary Florbela Espanca to invent your Alentejo, adorned with
memories, pain and longing, but investigate how the socio-cultural environment influenced
your work, in your life and ways to feel and live the Alentejo. To better understand how the
poet means the Alentejo spatiality, throughout this work we question three categories of space
in the work of Florbela Espanca: the region, the countryside and the landscape of the
Alentejo. Thus, this research falls within the field of cultural history in the medical we will
work with the entire literary output Florbela Espanca, letters, diaries, photos and biographical
and literary criticism, by establishing the time frame of 1916 ? beginning of intellectual
activity Florbela Spank ? the 1930 ? publication of Blossom Heath (posthumous) and the
suicide of the poet. Therefore, a constant symbolic exercise of words crossed by more
subjective feelings of the subject, all the time our work will be guided by the question of what
would be the Alentejo for the poet, who senses and meanings across this spatiality that
marked so sovereignly happiest memories and sad life Florbela Espanca.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/20622 |
| Date | 31 August 2015 |
| Creators | Farias, Priscilla Freitas de |
| Contributors | 38009552453, http://lattes.cnpq.br/7585947992338412, Lopes, F?bio Henrique, 14437321847, http://lattes.cnpq.br/1193368748768771, Santiago J?nior, Francisco das Chagas Fernandes, 88101592334, http://lattes.cnpq.br/8893350729538284, Albuquerque J?nior, Durval Muniz de |
| Publisher | Universidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM HIST?RIA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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