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Previous issue date: 2015-03-10 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / Esta pesquisa investigou
a atua??o feminina no teatro pernambucano durante a ditadura
milita
r brasileira na d?cada de 1970
,
analisando os trabalhos de quatro atrizes dos grupos
Teatro Hermilo Borba Filho, Vivencial e
Express?o
, que atuaram no per?odo. Lan?a
-
se um
olhar sobre o corpo feminino no teatro a partir de uma transgress?o c?nica corporal
: a
consci?ncia de uma insubordin
a??o corp?rea em resposta a um determinado contexto.
No
entanto, antes delineou
-
se um panorama sobre a posi??o art?stica e sociocultural da mulher no
teatro, nos per?odos que antecedem a ditadura no Brasil e em Pernambuco, abrangendo
refer?ncias teatrais e
hist?ricas, com o objetivo de refletir sobre como estas coloca??es
interferiram na imagem social da atriz no contexto ditatorial.
Os grupos s?o revisitados pe
los
olhares das int?rpretes, onde
foi percebido
que a visada feminina busca as rela??es, e neste
contexto, as rela??es com os outros grupos de teatro da ?poca, com os outros artistas do
s
grupo
s
em que estavam inseridas, com o contexto ditatorial, com a censura, com o teatro
engajado e transgressor, com o corpo.
Em paralelo, desenvolve
-
se uma reflex?o
sobre o corpo
c?nico que se opunha ? ditadura, um corpo que viola as normas esta
b
elecidas, o Corpo
Transgressor. A pesquisa
discorre
ainda
sobre
uma analogia
entre o trabalho das atrizes que se
opunham ao regime militar e as mulheres militantes.
Partindo d
e an?lises feitas com as
entrevistas realizadas com as atrizes,
a partir das metodologias da Hist?ria Oral e da An?lise
do Discurs
o
, o
estudo ? desenvolvido construindo
-
se conex?es entre as falas das artistas e os
pressupostos filos?ficos
de Henri Bergson
,
acerca do corpo e da mem?ria.
? tamb?m
elaborada uma reflex?o sobre as mudan?as do corpo feminino no teatro na Hist?ria, em
conson?ncia com o conceito tamb?m filos?fico do
Devir M
ulher
de Fel
ix Guattari. Constatou
-
se, assim, que
as atrizes
, desde o s?culo
XIX,
constitu?ram um dos grupos de atores sociais
femininos que modificaram
a posi??o da mulher na Hist?ria
;
que a estigmatiza??o da
profiss
?o d
e atriz, considerada como indecente
nos s?culos anteriores
, deixou resqu?cios
em
alguns ?mbitos
na atualidade e
que a
ideia da
liberta??o do corpo feminino propagada
pelo
feminismo nos anos de 1970, configurou
-
se na ?poca
como a
melhor forma de protesto e vai
influencia
r, em alguns contextos, na representa??o feminina em seu fazer teatral. / This research investigated the female performance in Pernambuco theater during the Brazilian
military dictator
ship in the 1970s,
analyzing the works of four actresses of theater groups
Hermilo Borba Filho,
Experiential and Expression, who acted in the period. Launches a look
at the female body in the theater from a body scenic transgression: the conscience of a body
insubordination in response to a given context. However, before delineated an overview of the
artistic and socio
-
cultural position of women in the theater, in the periods prior to the
dictatorship in Brazil and Pernambuco, covering theatrical and historical references, in order
to reflect on how these settings interfered in the picture Social actr
ess under the dictatorship.
The groups are revisited by the looks of interpreters, which was perceived that female targeted
search relationships, and in this context, relations with other theater groups of the time, with
other artists of the groups that we
re inserted with the dictatorial context with censorship, with
the offender engaged and theater, with the body. In parallel, it develops a reflection on the
scenic body that opposed the dictatorship, a body that violates the established norms, the
Transgre
ssor Body. The research also discusses an analogy between the work of the actresses
who opposed the military regime and militant women. Starting from analyzes with interviews
with the actresses from the methodologies of Oral History and Discourse Analysis,
the study
is developed by building up connections between the testimonies of the artists and the
philosophical assumptions of Henri Bergson, on the body and memory. It is also designed to
reflect on the changes of the female body in the theater in history
, also in line with the
philosophical concept of Becoming Woman Felix Guattari. It was found, therefore, that the
actresses from the nineteenth century, were a group of female social actors who changed the
position of women in history; the stigmatization o
f the actress by profession, considered
indecent in previous centuries, left traces in some areas today and the idea of
the liberation of
the female body propagated by feminism in the 1970s, was configured at the time as the best
way to protest and will
influence, in some contexts, the representation of women in their
theatrical make.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/20249 |
| Date | 10 March 2015 |
| Creators | Silva, Girlane Cristina Siqueira da |
| Contributors | 01794681469, http://lattes.cnpq.br/0713971478911464, Tib?rcio, Larissa Kelly de Oliveira Marques, 59778172404, http://lattes.cnpq.br/2272256149121710, Oliveira, ?rico Jos? Souza de, 68919107491, http://lattes.cnpq.br/3116783239543777, Fernandez, Rub?n Figaredo |
| Publisher | Universidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM ARTES C?NICAS, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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