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Previous issue date: 2014-03-27 / This research aims to relate the figure of the puppet in audiovisual products made from the 1890s until the first decade of the 21st century, investigating its appearance in theater, cinema and television. In this sense, is traced a historical overview of the arts and communication to give account, in postmodernity, of a presence which refers to cultural manifestations of the imaginary. To guide the present study, is elected the Comprehensive Sociology proposed by Michel Maffesoli as methodological contribution. Then, concepts are addressed to relate the languages of each area, structuring connections between its techniques and contents and citing examples of how the puppet has been used as a character throughout the history of human communication. Regarding the selected themes, it refers to the thought of authors such as Gilbert Durand, Edgar Morin, R?gis Debray, Marshall McLuhan, Johan Huizinga, Roger Caillois, John Bell, Ana Maria Amaral, plus Maffesoli, to assist in the prospects of the imaginary, puppetry, cinema and television. According to this approach, are finally analyzed three cases of television programs, the U.S. The Muppet Show and Robot Chicken and the Brazilian Pandorga, which are broadcasted the past 40 years, demonstrating the intersections of the fields of thought and for the establishment of contemporary visual content. / Esta pesquisa tem como objetivo relacionar a figura do boneco nos produtos audiovisuais realizados a partir dos anos 1890 at? a primeira d?cada do s?culo 21, investigando ocorr?ncias desde o teatro, passando pelo cinema at? chegar ? televis?o. Nesse sentido, ? tra?ado um panorama hist?rico das artes e da comunica??o para dar conta, na p?s-modernidade, de uma presen?a que faz refer?ncia ?s manifesta??es culturais do imagin?rio. Para balizar o presente estudo, elege-se a Sociologia Compreensiva, proposta por Michel Maffesoli, como aporte metodol?gico. S?o enfocados ent?o conceitos que dizem respeito ?s linguagens de cada ?rea, estruturando conex?es entre as t?cnicas e os conte?dos e citando exemplos de como o boneco tem sido utilizado como personagem ao longo da Hist?ria da comunica??o humana. Em rela??o ?s tem?ticas, recorre-se ao pensamento de autores como Gilbert Durand, Edgar Morin, R?gis Debray, Marshall McLuhan, Johan Huizinga, Roger Caillois, John Bell, Ana Maria Amaral, al?m de Michel Maffesoli, para auxiliar nas perspectivas do imagin?rio, do teatro de bonecos, do cinema e da televis?o. De acordo com esta abordagem, s?o por fim analisados tr?s casos de programas televisivos, os norte-americanos The Muppet Show e Frango Rob? e o brasileiro Pandorga, veiculados nos ?ltimos 40 anos, que demonstram os cruzamentos dos campos e do pensamento em prol da cria??o de conte?dos visuais contempor?neos.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/4567 |
| Date | 27 March 2014 |
| Creators | Bueno, Yara Marina Baungarten |
| Contributors | Silva, Juremir Machado da |
| Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Comunica??o Social, PUCRS, BR, Faculdade de Comunica??o Social |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | -1227240851921518482, 500, 600, 7651647212179642901 |
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