This thesis analyzes the decade-long collaboration between The Silent University and Tensta konsthall, investigating its role as a lasting, solidarity driven, educational, socially engaged art project within an art institution. Utilizing qualitative methods and institutional ethnography, the study examines the relationship between The Silent University within Tensta konsthall. The research uses three guiding questions: 1) How can The Silent University and its integration into Tensta konsthall be interpreted as a socially engaged, transformative, and performative artwork?; 2) How has the implementation of The Silent University at Tensta konsthall evolved since its inception?; 3) What is the current status of The Silent University as a socially engaged project and artwork within the context of Tensta konsthall? The first question is answered by employing Umberto Eco's concept of "open" works and Claire Bishop's analysis of socially engaged art and uses secondary sources as material. The second question is approached through interviews with Fahyma Alnablsi and Emily Fahlén. Drawing from Michel de Certeau’s concepts of "tactics" and "strategies," as well as Sara Ahmed's notions of the "stranger" and community building, the second chapter explores the project's evolving dynamics and potential tensions since its establishment. In response to the third question, the discussion synthesizes The Silent University's journey at Tensta konsthall, underscoring its evolution and present condition. Findings highlight The Silent University's classification as an "open" and transformative artwork. It has transitioned from a primarily educational focus to a more socially engaged approach within the framework of Tensta konsthall. The project's sustainability is closely intertwined with Alnablsi’s involvement and engagement, thus posing both a strength and a challenge. In essence, this thesis dissects The Silent University's role within Tensta konsthall, delving into its transformative artistic, educational, and social facets, thereby contributing to a deeper understanding of the interplay between socially engaged art, institutions, and community dynamics.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:su-220714 |
| Date | January 2023 |
| Creators | Saarnak, Katinka |
| Publisher | Stockholms universitet, Institutionen för kultur och estetik |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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