This dissertation offers an examination of Delany's critical trajectory from
structuralism to poststructuralism and postmodernism across a gamut of
genres from SF to sword-and-sorcery, pornography, autobiography and
literary criticism. Delany's engagement with semiotics, Foucault and
deconstruction form the theoretical focus, together with his own theories
of how SF functions as a literary genre, and its standing and reception
within the greater realm of literature. The impact of Delany as a gay, black
SF writer is also examined against the backdrop of his varied output. I have
used the term 'dislocation' to describe Delany's tackling of traditional
subjects and genres, and opening them up to further possibilities through
critical engagement. Lastly, Delany is also examined as a postmodern
icon. A frequent participant in his own texts, as well using pseudonyms
that have developed into fully-fledged characters, Delany has become a
critical signifier in his own work. / English Studies / M. A. (English)
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:unisa/oai:umkn-dsp01.int.unisa.ac.za:10500/16962 |
| Date | 02 1900 |
| Creators | Hope, Gerhard Ewoud |
| Contributors | Byrne, D. G. (Donald Glenn) |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Dissertation |
| Format | 1 online resource (250 leaves) |
Page generated in 0.0025 seconds