Return to search

O cinema e a querela de mem?rias do franquismo na Espanha contempor?nea : os casos de silencio roto e el laberinto del fauno

Made available in DSpace on 2015-04-14T13:47:57Z (GMT). No. of bitstreams: 1
447479.pdf: 1553401 bytes, checksum: 8b04a30101292465b986a9f463d637bf (MD5)
Previous issue date: 2013-03-26 / The approval of Historical Memory Law happened in a time of troubled political and social regarding the memories of the victims of the Spanish Civil War and and Francoism. This complaint about the losers memories has been treated since the Democratic Transition, started after Francisco Franco s death in 1975. Cinema, as cultural demonstration, was used throughout all Francoism either to legitimate the State speeches or to contest them. With the consolidation of democracy in Spain, it was not different: many film productions continued building their own narratives about the recent past of the country. Thus, the present term paper aims at analyzing how the films Silencio Roto (Montxo Armend?riz, 2001) and El Laberinto del Fauno (Guillermo del Toro, 2006), through the respective representations about the Francoist repression against guerrilla Maquis in the first years of the Spanish dictatorship, they acquire other meanings when analyzed in their corresponding production contexts. Through the film analysis, it was searched in the intrafilmic elements (present representations in the sequences, scenes and characters) and extrafilmic analysis (details about the production and its context) evidences about the movie makers positioning regarding Duty of Memory in Spain. From this point, conter-analysis has allowed inserting both films in the political and social debate about the dispute of memories in Spain in the 2000s. The importance of this research lies in the usage of film source as an analysis object, as well as its approach with questions regarding Memory areas which allow a narrative juxtaposition with historiography. / A aprova??o da Lei de Mem?ria Hist?rica deu-se em meio a conturbados debates pol?ticos e sociais sobre as mem?rias das v?timas da Guerra Civil espanhola e do Franquismo. Essa querela sobre as recorda??es dos perdedores vem sendo tratada desde a Transi??o Democr?tica, iniciada ap?s a morte de Francisco Franco, em 1975. O cinema, enquanto manifesta??o cultural, foi utilizado ao longo de todo o Franquismo ora para legitimar os discursos do Estado, ora para contest?-lo. Com a consolida??o da democracia na Espanha, n?o foi diferente: muitas produ??es f?lmicas continuaram construindo narrativas pr?prias sobre o passado recente do pa?s. Neste sentido, a presente disserta??o tem como objetivo analisar de que forma os filmes Silencio Roto (Montxo Armend?riz, 2001) e El Laberinto del Fauno (Guillermo del Toro, 2006), atrav?s de suas respectivas representa??es sobre a repress?o franquista contra a guerrilha Maquis nos primeiros anos da ditadura espanhola, adquirem outros significados quando analisados em seus correspondentes contextos de produ??o. Atrav?s da an?lise f?lmica, buscou-se nos elementos intraf?lmicos (representa??es presentes nas sequ?ncias, cenas e personagens) e extraf?lmicos (detalhes sobre a produ??o e seu contexto) evid?ncias sobre os pr?prios posicionamentos dos cineastas com rela??o ao Dever de Mem?ria na Espanha. A partir disso, a contra-an?lise possibilitou inserir ambas as pel?culas no debate pol?tico e social sobre a disputa de mem?rias na Espanha dos anos 2000. A import?ncia desta pesquisa reside na utiliza??o da fonte f?lmica enquanto objeto de an?lise, bem como sua aproxima??o com as quest?es relativas ? Mem?ria ?reas que possibilitam uma justaposi??o narrativa com a pr?pria historiografia.

Identiferoai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/2461
Date26 March 2013
CreatorsHyp?lito, Bruno Kloss
ContributorsParedes, Mar?al de Menezes
PublisherPontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Hist?ria, PUCRS, BR, Faculdade de Filosofia e Ci?ncias Humanas
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Formatapplication/pdf
Sourcereponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS
Rightsinfo:eu-repo/semantics/openAccess
Relation1740700517806534787, 500, 600, -4398000523014524731

Page generated in 0.0025 seconds