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A reavaliação da doutrina das unidades no Preface to Shakespeare (1765) : o prenúncio da ruptura com o Ancien Régime

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Previous issue date: 2016-08-16 / Não recebi financiamento / The objective of this dissertation is demonstrate by means of a dialectical reading of
Preface to Shakespeare (1765) by Samuel Johnson (1709-1784), that the reassessment
of the doctrine of the units (action, time and place) no solely unveil the breaking of the
English literary criticism with the classical aesthetic but the sign of a deep breaking of
the English capitalist society from the eighteenth century with Ancien Régime. The issue
(the reassessment of the doctrine of the units) consists in the defense that Johnson does
in favor of Shakespeare's plays against the censures of other neoclassical critics, these
influenced by French classicism. The defense that English critic undertook in favor of
the English poet‘s dramas against the reproaches of neoclassical critics anticipated the
rupture of the English criticism with the classical aesthetic. The proposal is treating of
the literary and philosophical aspects involved in the chief theme, at last to amplify the
horizon of reading through of the notions of structure of feeling by Raymond Williams
(1977) and political unconscious by Jameson (1992). / O objetivo desta dissertação é demonstrar, por meio de uma leitura dialética do Preface
to Shakespeare (1765) de Samuel Johnson (1709-1784), que a reavaliação das doutrinas
das unidades (ação, tempo e lugar) não revela somente a ruptura da crítica literária
inglesa com a estética clássica, mas o prenúncio de uma ruptura profunda da sociedade
capitalista inglesa do século XVIII com o Ancien Régime. A seguinte questão (a
reavaliação da doutrina das unidades) consiste na defesa que Johnson faz a favor das
peças de Shakespeare, contra as censuras de outros críticos neoclássicos, estes
influenciados pelo Classicismo francês. A defesa que Johnson empreende a favor dos
dramas do poeta inglês, contra a acusação dos críticos neoclássicos, antecipa a ruptura
da crítica inglesa com a estética clássica. A proposta é tratar dos aspectos literários e
filosóficos envolvidos no tema principal, e por fim, ampliar o horizonte de leitura,
através dos conceitos de structure of feeling de Raymond Williams (1977) e
inconsciente político de Jameson (1992).

Identiferoai:union.ndltd.org:IBICT/oai:repositorio.ufscar.br:ufscar/8731
Date16 August 2016
CreatorsCastro, Diego de
ContributorsFerreira, Carla Alexandra
PublisherUniversidade Federal de São Carlos, Câmpus São Carlos, Programa de Pós-graduação em Estudos de Literatura, UFSCar
Source SetsIBICT Brazilian ETDs
LanguagePortuguese
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis
Sourcereponame:Repositório Institucional da UFSCAR, instname:Universidade Federal de São Carlos, instacron:UFSCAR
Rightsinfo:eu-repo/semantics/openAccess

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