Submitted by Caroline Xavier (caroline.xavier@pucrs.br) on 2017-06-06T19:59:53Z
No. of bitstreams: 1
DIS_MARIANA_LEORATTO_SEVERO_COMPLETO.pdf: 4724971 bytes, checksum: 515507c4a72693f46d3614f7f3e203ac (MD5) / Made available in DSpace on 2017-06-06T19:59:53Z (GMT). No. of bitstreams: 1
DIS_MARIANA_LEORATTO_SEVERO_COMPLETO.pdf: 4724971 bytes, checksum: 515507c4a72693f46d3614f7f3e203ac (MD5)
Previous issue date: 2017-03-10 / Conselho Nacional de Pesquisa e Desenvolvimento Cient?fico e Tecnol?gico - CNPq / The present work aims to reflect on feminine happiness narratives in the Instagram application. The object of study is the photographs posted by women in the app. It is understood that contemporary modes of expression overflows ideals of happiness, with women as protagonists. The research is based, mainly, by the contribution of McMahon (2006) and Birman (2010) on happiness; Berger, Luckmann (1966) and Schutz (2008) on narratives and everyday life; Lipovetsky (1997) and Ahmed (2010) on women and Maffesoli (2010) with the method of comprehensive sociology. The theoretical basis is permeated by the idea of performance. In this research, it were revealed five ultrageneralizations that emerged from 250 photographs collected by utilizing the main hashtags of the Instagram app: About the toil of being who you are; About accepting, enjoying and living the moments; About sensuality and self-esteem; About love, affection and being together and about the appreciation of what is beautiful. From this, aspects such as individuality, authenticity, present, moment, hedonism, empowerment, feeling, communion and aestheticization of experience were guides to the understanding of the construction of happiness narratives. / No presente trabalho objetiva-se refletir sobre narrativas da felicidade femininas no aplicativo Instagram. O objeto de estudo s?o as fotografias postadas por mulheres no aplicativo. Entende-se que os modos de express?o contempor?neos transbordam ideais de felicidade, tendo as mulheres como protagonistas. A pesquisa ? fundamentada, principalmente, pelo aporte de McMahon (2006) e Birman (2010) acerca da felicidade; Berger; Luckmann (1966) e Schutz (2008) sobre narrativas e vida cotidiana; Lipovetsky (1997) e Ahmed (2010) sobre mulheres e Maffesoli (2010) com o m?todo de sociologia compreensiva. A base te?rica ? permeada pela ideia da performance. Nesta pesquisa, foram desveladas cinco ultrageneraliza??es que surgiram da coleta de 250 fotografias a partir das principais hashtags do aplicativo Instagram: sobre a labuta de ser quem se ?; sobre aceitar, aproveitar e viver os momentos; sobre a sensualidade e a autoestima; sobre o amor, a afetividade e o estar junto e sobre a aprecia??o do que ? belo. A partir disso, aspectos como individualidade, autenticidade, o presente, o momento, o hedonismo, o empoderamento, o sentimento, a comunh?o e a estetiza??o da experi?ncia foram norteadores para a compreens?o da constru??o das narrativas da felicidade.
Identifer | oai:union.ndltd.org:IBICT/oai:tede2.pucrs.br:tede/7341 |
Date | 10 March 2017 |
Creators | Severo, Mariana Leoratto |
Contributors | Tonin, Juliana |
Publisher | Pontif?cia Universidade Cat?lica do Rio Grande do Sul, Programa de P?s-Gradua??o em Comunica??o Social, PUCRS, Brasil, Faculdade de Comunica??o Social |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Format | application/pdf |
Source | reponame:Biblioteca Digital de Teses e Dissertações da PUC_RS, instname:Pontifícia Universidade Católica do Rio Grande do Sul, instacron:PUC_RS |
Rights | info:eu-repo/semantics/openAccess |
Relation | -1227240851921518482, 600, 600, 600, 600, 7651647212179642901, -4056021055502874573, -2555911436985713659 |
Page generated in 0.0015 seconds