The aim of this thesis is to show how the contemporary critical debate on migrant literature in Italy has proved to be inadequate to grasp the complexity of novels such Onela Vorpsi’s The Land where No One Ever Dies and Anilda Ibrahimi’s Rosso come una sposa (“Red as a Bride”). The main critical trends are presented, the two novels are analysed in their themes and new methods of analysis are suggested. In particular, I open for the possibility of framing these two novels within the multidisciplinary debate on the imaginative colonisation of Eastern Europe.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:su-190439 |
| Date | January 2013 |
| Creators | Da Lio, Giulia |
| Publisher | Stockholms universitet, Institutionen för franska, italienska och klassiska språk |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Italian |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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