Applying the standards for delineating folkcraft developed by Japanese scholar Soetsu Yanagi to the work of two Maryland decoy makers, Lem and Steve Ward, revealed that the Wards’ work followed a progression from folk to non-folk. A Hearst newspaper chain article on the two carvers plus winning first place at the New York Decoy Show brought publicity far beyond that usually encountered by the average folk craftsman. These events also exposed the two brothers to a range of wealthy collectors. When the Wards began to experiment with ornately carved birds, they had a waiting, and financially capable market. The extremely high prices of these later birds made their owners afraid to use them through fear of damage or loss. Thus, these recent carvings became non-functional and non-folk since functionality is a prime requisite for folkcraft according to the Yanagi standards. Therefore, price affects folk nature via function.
| Identifer | oai:union.ndltd.org:WKU/oai:digitalcommons.wku.edu:theses-2850 |
| Date | 01 June 1977 |
| Creators | Vincent, Benjamin |
| Publisher | TopSCHOLAR® |
| Source Sets | Western Kentucky University Theses |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Masters Theses & Specialist Projects |
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