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Metaphoric Truth: Seeing and Saying in Merleau-Ponty and Ricoeur, and a Broader Ethics Via Zuidervaart

Artistic meaning via visual art and literary fiction is debated in modern aesthetic thought. Language is a cognitive component in postmodernist aesthetic projects. This thesis investigates Maurice Merleau-Ponty's and Paul Ricoeur's writings on painting and language, respectively, whose phenomenological aim is the revelation of being in works of the imagination in tandem with Lambert Zuidervaart's approach to artistic truth which opens the lifeworld to the biotic context of the earth. For him, imaginative disclosure is integral to techno-scientific and art realms. Embodiment, natality, and expression illuminate the problematic of meaning in forms of postmodern visual art. Metaphoric imagination and metaphor are used for metaphor is a principle of articulation, not a figure of speech. Aesthetic projects connect with the lifeworld in a hermeneutic circle of meaning.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:ICS.10756/288659
Date January 2010
CreatorsRead, Janet
ContributorsSmick, Rebekah, Institute for Christian Studies
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeThesis
Rightshttp://creativecommons.org/licenses/by-nc-nd/3.0/, Attribution-NonCommercial-NoDerivs 3.0 Unported
Relationhttp://www.collectionscanada.gc.ca/obj/thesescanada/vol2/002/MR69341.PDF

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