We present a case study as part of a work-in-progress project about multimodal sentiment analysis on historic German plays, taking Emilia Galotti by G. E. Lessing as our initial use case. We analyze the textual version and an audio version (audiobook). We focus on ready-to-use sentiment analysis methods: For the textual component, we implement a naive lexicon-based approach and another approach that enhances the lexicon by means of several NLP methods. For the audio analysis, we use the free version of the Vokaturi tool. We compare the results of all approaches and evaluate them against the annotations of a human expert, which serves as a gold standard. For our use case, we can show that audio and text sentiment analysis behave very differently: textual sentiment analysis tends to predict sentiment as rather negative and audio sentiment as rather positive. Compared to the gold standard, the textual sentiment analysis achieves accuracies of 56% while the accuracy for audio sentiment analysis is only 32%. We discuss possible reasons for these mediocre results and give an outlook on further steps we want to pursue in the context of multimodal sentiment analysis on historic plays.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:91903 |
| Date | 05 June 2024 |
| Creators | Schmidt, Thomas, Burghardt, Manuel, Wolff, Christian |
| Publisher | CEUR-WS.org |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, doc-type:conferenceObject, info:eu-repo/semantics/conferenceObject, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
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