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Previous issue date: 2015-12-16 / Esta disserta??o sugere ambientes sonoros a partir da proposta de imagens configuradas segundo a descri??o do texto ?A Visagem da Mo?a Caetana? de Ariano Suassuna, a fim de gerar possibilidades sonoras individuais que auxiliem os instrumentistas na interpreta??o da pe?a. O ciclo composto em 1996 - para canto, viola, violoncelo e clarone/clarineta - ? constitu?do por tr?s can??es sem t?tulo. Seu texto foi extra?do do ?Folheto XLIV?, do Romance d?A Pedra do Reino e o pr?ncipe do sangue do vai-e-volta, e descreve uma senten?a de morte ilustrada por s?mbolos do imagin?rio Armorial, usando neologismos e fon?tica peculiar do Sert?o nordestino. Al?m da an?lise das dificuldades t?cnicas de execu??o, este trabalho informa os int?rpretes quanto a timbres e texturas sonoras utilizadas por Nelson Almeida para retratar o tradicional atrav?s da linguagem musical contempor?nea. As met?foras e as transgress?es do racional no texto de Suassuna foram exploradas para esbo?ar tr?s composi??es de imagens que conduzam os int?rpretes ? descri??o sonora dos objetos inanimados e dos afetos a que se refere a poesia, extrapolando as indica??es t?cnico-interpretativas limitadas pela nota??o musical. A pesquisa se valeu da pr?pria partitura, da literatura existente sobre o tema, de discuss?es com os instrumentistas que j? executaram a obra, de entrevistas com o compositor e de depoimentos de outros compositores inseridos nesse contexto. Para ilustrar a teoria, as tr?s imagens gravadas em xilogravura s?o disponibilizadas como na literatura de cordel. / This study suggests sonorous ambiences from the propose of images configured according to
the description in ?A Visagem da Mo?a Caetana? by Ariano Suassuna in order to create
individual sonorous possibilities that may help musicians to play the piece. The cycle,
composed in 1996 (for voice, viola, cello, bass clarinet/clarinet), is formed by three untitled
songs. Its text is an excerpt from the ?Folheto XLIV?, from the Romance d?A Pedra do
Reino e o pr?ncipe do sangue do vai-e-volta, and describes a sentence of death illustrated by
symbols of the Armorial imagery, with neologisms and the peculiar accent from the Sert?o in
northeast Brazil. In addition to the analysis of technical difficulties to play, this study
informs interpreters of the sonorous timbre and texture used by Nelson Almeida to describe
tradition through contemporary musical language. The metaphors and transgressions of
reason in Suassuna?s book were explored to create three image compositions so that they
may lead interpreters to the sonorous description of the inanimate objects and the affections
to which the poetry refers, expanding any technical-interpretative indications limited by
musical notation. This research used the Visagem scores, the literature on the theme,
discussions with the musicians that played the piece, interviews with Almeida, and
composers? reports. To illustrate the theory, the three images are available, printed as
woodcut in cordel literature.
Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/20984 |
Date | 16 December 2015 |
Creators | Santos, Virginia Cavalcanti |
Contributors | 58504800482, http://lattes.cnpq.br/6857099875317506, Oliveira, Andr? Luiz Muniz, 38669595400, http://lattes.cnpq.br/3225501994217880, Almeida, Nelson Cavalcanti de, 10485171449, http://lattes.cnpq.br/6234873931745961, Queiroz, Rucker Bezerra de |
Publisher | Universidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
Source Sets | IBICT Brazilian ETDs |
Language | Portuguese |
Detected Language | English |
Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
Rights | info:eu-repo/semantics/openAccess |
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