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Previous issue date: 2009-11-30 / Helena is the romance of perishable and discontinuous title character denominator of a dialectic that does not consume and build the narrative by sequential fragmentation combined with episodic frame. The novel is a lightning stroke to the romantic literary project. Therefore, this study aims to find "objective" elements of the novel that would constitute a conception of literary nation proposed by Machado de Assis, as in classical writing, where women are engaged as a metaphor for the nation by a non-cultural heroism, as the example of the Greek myth of Helena, where the feminine represents a mythical image of the nation. The paper's theoretical conception of the history of Walter Benjamin, that is, that is constructed as an allegorical appeal, the conclusions about the disciplinary society of nineteenth century of Michel Foucault, the construction of the nation as a subtle game to remember and forget of Wander Miranda and the rhetoric of death and loss reflected in the speeches of the cultural heritage of Jos? Reginaldo Santos Gon?alves, which allow you to analyze the work permeated by subjectivity and existential conflicts by Machado, who has it arranged in dialectic with the avant-garde literary romanticism and realism. In this relationship with the Greek myth of Helen, explained that characters with the nickname of Helena in Machado's work are not uncommon. As in classical Helena, Machado s Helena uses three rhetorical are the cause of the seizure of the nation. In this game of remembering and forgetting, in the daily plebiscite, Machado draw ideal images that forged our mythical past and commitment to the future. The suffering love of Helena is suffering from failure of the nation which would have led the author to the use of allegorical language, seeking a balance in the chaos generated by the opposition between cruelty and pity widespread view in an area where only left the character's confession guilt for the death. It is a simulacrum of unfinished nation, the space for the game of remembering and forgetting, while the rhetoric of negotiation of our Brazilianness / Helena ? o romance do perec?vel e do descont?nuo, t?tulo denominador de uma personagem dial?tica que n?o se consuma e constr?i a narrativa pela fragmenta??o seq?encial aliada a arma??o epis?dica. O romance ? uma apoplexia fulminante ao projeto liter?rio rom?ntico. Por isso, o presente estudo busca pesquisar objetivamente elementos do romance que fariam parte de uma concep??o de na??o liter?ria proposta por Machado de Assis, assim como na escritura cl?ssica, onde a mulher ? envolvida como met?fora da na??o por um n?o hero?smo cultural, a exemplo do mito da Helena grega, onde o feminino m?tico representa uma imagem de na??o. O trabalho tem como aportes te?ricos a concep??o da hist?ria de Walter Benjamin, isto ?, que esta se constr?i como um recurso aleg?rico, as conclus?es acerca da sociedade disciplinar oitocentista de Michel Foucault, a constru??o da na??o como um jogo sutil de lembrar e esquecer de Wander Miranda e a ret?rica da morte e da perda refletido nos discursos do patrim?nio cultural de Jos? Reginaldo Santos Gon?alves, as quais permitem analisar a obra permeada de subjetivismo e conflitos existencialistas por Machado t?-la arranjado em dial?tica com as vanguardas liter?rias do romantismo e do realismo. Al?m desse relacionamento com o mito da Helena grega, exp?e-se que personagens com a alcunha de Helena na obra machadiana n?o s?o incomuns. Assim como na Helena cl?ssica, a Helena machadiana utiliza-se de tr?s ret?ricas s?o a causa da apoplexia da na??o. Neste jogo de lembrar e esquecer, no plebiscito di?rio, Machado elabora imagens ideais que forjariam o nosso passado m?tico e o empenho do futuro. O sofrimento amoroso de Helena ? o sofrimento da impossibilidade da na??o o que teria levado o autor ao uso da linguagem aleg?rica, procurando algum equil?brio no caos gerado pela oposi??o entre a crueldade vista e a comisera??o disseminada em um espa?o onde somente restava ? personagem a confiss?o de sua culpa pela morte. Faz-se o simulacro da na??o inconclusa, o espa?o para o jogo do lembrar e esquecer, enquanto ret?rica da negocia??o de nossa brasilidade.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/16165 |
| Date | 30 November 2009 |
| Creators | Costa, Addson Ara?jo |
| Contributors | CPF:27005810759, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4785761A3, Ara?jo, Humberto Hermenegildo de, CPF:15566145434, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4766896J7, Justino, Luciano Barbosa, CPF:01970057483, http://lattes.cnpq.br/7867334606136778, Sousa, Ilza Matias de |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Estudos da Linguagem, UFRN, BR, Lingu?stica Aplicada; Literatura Comparada |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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