Authenticity is an interesting and, in some ways, even a problematic term. Yet there is a very special feeling when someone observes a cultural object, knowing it is the real thing. The purpose of this thesis is to examine revealed forgeries for aspects of authenticity and discuss whether these revealed forgeries have something unique they can offer as museum objects. To form a premiss for both the analysis and the discussion of different museum objects, the thesis uses theoretical perspectives from Denis Dutton, David Lowenthal and Siân Jones regarding authenticity and cultural objects. Using the theoretical perspectives as a tool for analysis and discussion regarding the different museum objects, varying patterns of authenticity can be seen. The discussion leads to the conclusion that there are qualities revealed forgeries can offer as museum objects. They can contribute as objects of entertainment, educational purposes or as escapism, for the museum visitor. This is a two years master’s thesis in Museum and Cultural Heritage Studies.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:uu-391304 |
| Date | January 2019 |
| Creators | Barregren, Simon |
| Publisher | Uppsala universitet, Institutionen för ABM |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | Uppsatser inom musei- & kulturarvsvetenskap, 1651-6079 ; 139 |
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