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Previous issue date: 2015-04-17 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / A tese apresentada empenha-se numa leitura po?tica que resulte na cria??o de sentidos e imagens da morte a partir das diversas pr?ticas culturais e representa??es simb?licas expostas em cemit?rios urbanos de algumas cidades brasileiras, objetivando dar visibilidade a novas compreens?es acerca do imagin?rio da morte no cen?rio contempor?neo. A morte, portanto, ser? vista como uma condi??o imaginante doantropos na medida em que parte-se da prerrogativa de que a consci?ncia humana da morte (MORIN, 1970), ou seja, essa consci?ncia que o homem tem de que vai morrer e que desencadeia reflex?es sobre sua exist?ncia possibilita o surgimento de uma s?rie de pr?ticas como: o luto, os rituais f?nebres e a cria??o de diversas representa??es impregnadas de emo??es humanas emergidas do enfrentamento da morte pelo homem e presentes, de uma forma mais evidente, nos espa?os cemiteriais. Para isto, foca-se na dimens?o conflituosa que o homem estabelece com a morte, isso porque as pr?ticas culturais e representa??es simb?licas que se observa no campo de pesquisa s?o resultado desse conflito e possibilitam a amplia??o dos sentidos acerca desse tema, na medida em que estes est?o revestidos de uma aura fant?stica, m?stica, secreta, fantasmag?rica, atemorizante e religiosa, edificando uma imagina??o complexa. O plano geral deste estudo consiste em problematizar e criar, a partir de uma fenomenologia da imagina??o e da imagina??o material/din?mica, nos moldes tratados por Gaston Bachelard, as imagens da morte, a partir de uma experi?ncia de campo em cemit?rios do Brasil. Para isso, assume-se, ao observar as pr?ticas culturais e as representa??es simb?licas nesses espa?os, uma postura capaz de tornar a experi?ncia no campo de pesquisa um momento de trocas simb?licas e de cria??o. Assim, recorreu-se ? observa??o, a conversas com visitantes e funcion?rios dos cemit?rios e ? capta??o de registros fotogr?ficos. Os dados produzidos, como: o fragmento de uma conversa, um desabafo choroso sobre a perda de um familiar, um epit?fio melanc?lico, uma flor sobre o t?mulo ou um choro capturado pela fotografia foram vistos como detonadores de sentidos e de uma po?tica da imagina??o. / The thesis presented is committed to a poetic reading that results in the creation of
meaning and images of the death from the various cultural practices and symbolic
representations exposed in urban cemeteries in some Brazilian cities, aiming to give
visibility to new understandings about the imaginary of the in the contemporary
scene. Death, therefore, will be seen as a imagining condition of anthroposwhen
starts itself from the prerogative of the human consciousness of death (MORIN,
1970), in other words, this awareness that man has he will die and that triggers
reflections about their existence allows the emergence of a number of practices such
as: mourning, funeral rituals and the creation of several impregnated representations
of human emotions emerged from the death facing the man and present, in a more
evident form in cemeterial spaces. For this, it focuses on the conflictuous dimension
that man establishes with death, because the cultural practices and symbolic
representations observed in the research field are the result of this conflict and allow
the expansion of the senses about this issue, to the extent that these are coated with
a fantastic aura, mystical, secret, spooky, fearful, religious, building a complex
imagination. The general plan of this study is to discuss and create, from a
phenomenology of imagination and materials / dynamics imagination, as well as
along the lines treated by Gaston Bachelard, images of death, from a field
experience in cemeteries in Brazil. For this, it is assumed, to observe the cultural
practices and symbolic representations in these spaces, a posture able to make the
experience into the search field a moment of symbolic exchanges and creation. Thus,
it was used observation, conversations with visitors and employees of the cemeteries
and the capture of photographic records. The data produced as a fragment of a
conversation, a tearful outburst about the loss of a relative, a melancholic epitaph, a
flower on the grave or a cry captured by photography were seen as detonators of
meanings and a poetic of the imagination.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/21151 |
| Date | 17 April 2015 |
| Creators | Medeiros, Genison Costa de |
| Contributors | 51939509904, http://lattes.cnpq.br/7178264870931102, Fonseca, Ailton Siqueira de Sousa, 70264732472, http://lattes.cnpq.br/4878147595860938, Dantas, Eugenia Maria, 52288404434, http://lattes.cnpq.br/6296149707446296, Lima, Hermano Machado Ferreira, 00462330400, http://lattes.cnpq.br/3544078387684243, Almeida, Maria da Concei??o Xavier de, 27708802415, http://lattes.cnpq.br/9961862139964562, Lopes J?nior, Orivaldo Pimentel, 94678766804, http://lattes.cnpq.br/7945742180527825, Gomes, Ana Laudelina Ferreira |
| Publisher | Universidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM CI?NCIAS SOCIAIS, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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