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The First Movements of Sergei Bortkiewicz's Two Piano Sonatas, Op. 9 and Op. 60: A Comparison including Schenkerian Analysis and an Examination of Classical and Romantic Influences

The purpose of this study is to analyze the first movements of Sergei Bortkiewicz's two piano sonatas and compare them with works by other composers that may have served as compositional models. More specifically, the intention is to examine the role of the subdominant key in the recapitulation and trace possible inspirations and influences from the Classical and Romantic styles, including Mozart, Beethoven, and Schubert. The dissertation employs Schenkerian analysis to elucidate the structure of Bortkiewicz's movements. In addition, the first movement of Mozart's Piano Sonata K. 545, Beethoven's Coriolan Overture, and the first movement of Schubert's "Trout" Quintet in A, D. 667, are examined in order to illuminate the similarities and differences between the use of the subdominant recapitulation by these composers and Bortkiewicz.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1833425
Date08 1900
CreatorsChen, Yi Jing
ContributorsRomero, Gustavo, Jackson, Timothy L., Puccinelli, Elvia L.
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatvii, 79 pages : music, Text
RightsPublic, Chen, Yi Jing, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.
RelationRecital: April 19, 2017, ark:/67531/metadc2099692, Recital: March 7, 2018, ark:/67531/metadc1157463, Recital: November 17, 2018, not yet digitized, Recital: March 8, 2019, ark:/67531/metadc1506377

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