Martin Scorsese's films, GOODFELLAS and CASINO, and Quentin Tarantino's RESERVOIR DOGS and PULP FICTION are examined to determine if the crime film of the 1990s has become increasingly more in the style of film noir. The differences and similarities between the two crime films each director has either written or co-written in the 1990s are delineated to demonstrate this trend. Other crime films of the latter 1990s (SEVEN, THE USUAL SUSPECTS, and MULHOLLAND FALLS) are also examined to aid in defining the latest incarnation of the crime film as "Noir Modernist," a term that is demonstrated to be a more accurate description for the current crime films than B. Ruby Rich's, "Neo-Noir of the 1990s."
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278623 |
| Date | 08 1900 |
| Creators | Magnani, Matthew Daniel |
| Contributors | Wyatt, Justin, 1963-, Staples, Donald E. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iv, 125 leaves, Text |
| Coverage | 1990-1999 |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Magnani, Matthew Daniel |
Page generated in 0.0017 seconds