The purpose of this study is to examine in which way power structures are played out in the 2022 movie The Menu (2022). Five categories of scenes with the main focus on the main character have been selected to be analyzed through a narrative movie analysis with focus on intersectionality regarding class and gender in relation to the theory of the final girl. Every scene is to be explained and then, together with the main narrative, analyzed through theories of marxism, Bourdieu’s capital theory and Clover’s final girl in focus. The study concludes that the power structures of class and gender is played out through the main character by her using her looks as a beautiful and young woman as well as her working class background in the service industry as an escort to her advantage in getting to know the male antagonist. By doing so she can, unlike the other guests which are all upper class, escape the safe death they all face. / The purpose of this media production is to be used as a base for discussion during seminars regarding honor related violence and oppression. The mateiral is the be used during education for proffesionals in the field of social work.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:mau-68811 |
| Date | January 2024 |
| Creators | Lemark, Cajsa |
| Publisher | Malmö universitet, Institutionen för konst, kultur och kommunikation (K3) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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