Contemporary outreach services focus on prevention as a means to ending homelessness (Averill, Keys, Mallet, & Rosenthal, 2010; Gaetz, 2010; Higgitt, Ristock & Wingert, 2005). As a result, services are commonly aimed at youth to provide alternatives to street-life before negative patterns are ingrained; the emotional effects of homelessness are also starting to be addressed.
Drop-in facilities are proving useful by responding with greater flexibility toward the inconsistent lives of homeless people (Bantchevska, Dashora, Garren, Glassman, Slesnick & Toviessi, 2008). Art programming offers an environment addressing both emotional concerns and technical skill development (Higgitt, Ristock & Wingert, 2005). In Winnipeg, MB, urban, youth street-culture has responded positively to drop-ins embodying Hip-Hop culture as the unifying theme (B. Veruela, personal communication, November 7, 2012). Hip-Hop provides a context for art and learning that incorporates belonging and growth - the identifiers of a playful space. Play spaces offer a positive environment for dealing with emotionally charged topics such as homelessness (Apter, 1991; Kerr, 1991).
This project presents the adaptive reuse of one of Winnipeg’s industrial buildings as a modern drop-in centre where emotional care for youth is accommodated through play theory.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:MWU.1993/23256 |
| Date | 15 January 2014 |
| Creators | Shilton, Meredith |
| Contributors | Dr. Shauna Mallory-Hill (Interior Design), Dr. Rae Bridgman (City Planning) Julie Epp (Smith Carter) |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Detected Language | English |
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