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Previous issue date: 2011-02-24 / The purpose is to write a reflection on the audiovisual production by the visually
impaired. The starting point for this research was a documentary video
production workshop offered by the Instituto de Educa??o e Reabilita??o de
Cegos do Rio Grande do Norte - IERC / RN, with the participation of blind
people with low vision and sighted employees of the institution. The research
approach follows the precepts of complex thinking, where work is woven into
the network, along with the researched. The theoretical framework is based on
the theory of French sociologist Edgar Morin, and other important thinkers for
this work, namely: Erving Goffman, Paulo Freire, Michel Foucault, Edward Said,
Jacques Aumont, Phillpe Dubois, as well as scholars who think and theorize
about his own condition and conduct discussions on the issue of blindness:
Francisco Jose de Lima, Evgen Bavcar Jacques Lusseyran and Joana
Belarmino. The research was formulated based on the statement in the interest
of respondents to understand and produce visual images using video as a tool.
In this sense, the methodology adopted approaches of action research in
constructing the text and dialogue with the participation of those involved in the
project. The technique of gathering the information was based on ethnographic
description describing the dynamics of the workshop, the relationships between
participants, relationship to the other that sees and the manner of operation of
equipment. The main focus is the relationship based on dialogue of information,
attitudes and ways of knowing from experience and capacity developed and
obstacles for blind people to produce visual images using other benchmarks,
such as touch, smell and time dimension and space, and add references that
give new meaning to the guidelines based on visuality of ministering to the
workshop. It is also held to discuss aspects related to the concept of image with
sociological reflection about the audiovisual production made by blind people
socially constructed and perpetuated by what Edgar Morin called cultural
imprinting. Thus we attempted to walk the route with its obstacles and
achievements in the production of new images that were seen / O prop?sito do trabalho ? fazer uma reflex?o sobre a produ??o audiovisual por
deficientes visuais. O ponto de partida desta pesquisa foi uma Oficina de
Produ??o de V?deodocument?rio oferecida pelo Instituto de Educa??o e
Reabilita??o de Cegos do Rio Grande do Norte - IERC/RN, com a participa??o
de pessoas cegas, com baixa vis?o e videntes colaboradores da institui??o. A
abordagem da pesquisa segue os preceitos do pensamento complexo, no qual
o trabalho ? tecido em rede, junto com os pesquisados. O referencial te?rico ?
fundamentado na teoria do soci?logo franc?s Edgar Morin, al?m de outros
pensadores importantes para este trabalho, a saber: Erving Goffman, Paulo
Freire, Michel Foucault, Edward Said, Jacques Aumont, Phillpe Dubois, bem
como estudiosos que pensam e teorizam sobre sua pr?pria condi??o e
realizam discuss?es sobre a quest?o da cegueira: Francisco Jos? de Lima,
Evgen Bavcar, Jacques Lusseyran e Joana Belarmino. A pesquisa foi
formulada a partir da constata??o do interesse dos pesquisados em entender e
produzir imagens visuais utilizando o v?deo como ferramenta. Nesse sentido, a
metodologia adotada se aproxima da pesquisa-a??o construindo o texto em
di?logo e com a participa??o dos envolvidos no projeto. A t?cnica de coleta das
informa??es foi fundamentada na descri??o etnogr?fica descrevendo a
din?mica da oficina, as rela??es entre os participantes, a rela??o com o outro
que enxerga e a forma de operacionalidade dos equipamentos. O enfoque
principal ? a rela??o fundamentada no di?logo de informa??es, posturas e
formas de conhecer a partir da experi?ncia desenvolvida e a capacidade e os
obst?culos das pessoas cegas para produzir imagens visuais utilizando outros
referenciais, tais como: o tato, o olfato e a dimens?o de tempo e espa?o,
referenciais que somam e d?o um novo significado ?s orienta??es
fundamentadas na visualidade dos ministrantes da oficina. Tamb?m ? realizada
a discuss?o de aspectos referentes ao conceito de imagem com reflex?o
sociol?gica a respeito da produ??o audiovisual feita por pessoas cegas
constru?da e perpetuada socialmente atrav?s do que Edgar Morin denominou
de imprinting cultural. Desse modo buscou-se percorrer os percursos, com
seus obst?culos e conquistas, na produ??o dessas novas imagens que se
evidenciam
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/13626 |
| Date | 24 February 2011 |
| Creators | Maia, Renato |
| Contributors | CPF:29703107400, http://lattes.cnpq.br/7619869688485452, Dantas, Alexsandro Galeno Ara?jo, CPF:59670886449, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4703941Y0, Alves, Jefferson Fernandes, CPF:40692345434, http://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4796352H6, Lima, Francisco Jos? de, CPF:07394115860, http://lattes.cnpq.br/8179788721486864, Silva, Josimey Costa da |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Ci?ncias Sociais, UFRN, BR, Desenvolvimento Regional; Cultura e Representa??es |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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