In this project, I have explored how one can musically shape and compose wordless music within the jazz genre with inspiration from the liturgy of the Church of Sweden. Inspiration was taken from various parts of the Mass, previously set liturgy, as well as my own references to the various parts. Each liturgical part was then assigned a keyword based on the gathered information and personal thoughts associated with each part. I discuss the role of vocal performance as a wordless form of expression both in the context of the church and for me as a musician. I also discuss the connection between the compositions and the liturgy, and how I have chosen to align the work to the traditional order of the Mass. In conclusion, I explain how this work has affected me as a musician and a person and how I wish it to be received. / <p><strong>Reperstoar:</strong></p><p>Kyrie Eleison</p><p>Sanctus/Gloria</p><p>Credo</p><p>Pax </p><p>Agnus Dei </p><p>Benedictus </p><p>Samtliga kompositioner skrivna av Ella Cronberg</p><p>Extranummer: Blott en dag - Lina Sandell</p><p><strong>Medverkande musiker:</strong></p><p>Sång - Ella Cronberg</p><p>Gitarr - Jim Base</p><p>Piano - Isak Åberg</p><p>Kontrabas - Olle Lannér Risenfors</p><p>Trummor - Filip Öhman</p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4897 |
| Date | January 2023 |
| Creators | Cronberg, Ella |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0017 seconds