Rhapsody for Piano and Small Orchestra is a one-movement composition in a concerto fashion for seventeen players, and is about nine minutes in duration. The overall form of this work is A B C D E D1 C1 B1 A1. This work contains various hidden compositional devices such as the golden section principle and a palindrome structure. These devices are applied not only to the structure of the work, but also to the pitch related and rhythm-related matters. Also, certain melodic and rhythmic cells are employed for each section in the developmental procedure of that section almost exclusively. Since this work is a concerto-like piece, there are two cadenza-like passages for the piano with an accompanying solo instrument, which plays the obbligato passage. The following essay addresses the form, pitch materials, harmony, rhythm and technical difficulties, orchestration, and variant elements between the corresponding sections used in this work.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc3071 |
| Date | 12 1900 |
| Creators | Ahn-Kim, Yong Hee |
| Contributors | Winsor, Phil, 1938-2012, Brothers, Lester, Rovan, Joseph, Klein, Joseph, 1962- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Copyright, Ahn-Kim, Yong Hee, Copyright is held by the author, unless otherwise noted. All rights reserved. |
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