”Jag vill ha slitningar där sprickor växer, där avstånd mellan tid och tid / blir kött” : Att teckna i negationer: En studie av negationens kritiska potential i Christina Ouzounidis postdramatiska teatertext Spår av Antigone (2014) / "I want breakages where cracks emerge, where the distance between time and time / becomes meat" : To draw in negations: A study of the critical potential of negation in Christina Ouzounidis postdramatic theatre text Spår av Antigone (2014)

Description

With basis in critical theory, as defined by Theodor W. Adorno, as well as Hans-Thies Lehmann’s theory on postdramatic theatre this study investigates the ethic and aesthetic processes of negation in Christina Ouzounidis theatre texts. Analyzing the ways in which the postdramatic form serves as a negation of classical dramaturgy, as well as reading the negative statements as representants of the very challenge of portraying utopia, the studie examines three main themes: the notion of postdramatic theatre text, the postdramatic adaption of classical texts and the political postdramatic.

Links & Downloads

1. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-43697

Tags

Adorno

Critical Theory

Postdramatic theory

Postdramatic theatre

Adaption

Negation

Christina Ouzounidis

Antigone

Adorno

Kritisk teori

Postdramatisk teori

Postdramatisk teater

Adaption

Negation

Christina Ouzounidis

General Literature Studies

Litteraturvetenskap

Additional Fields

Identifer	oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:sh-43697
Date	January 2020
Creators	Nelander, Sissela
Publisher	Södertörns högskola, Litteraturvetenskap
Source Sets	DiVA Archive at Upsalla University
Language	Swedish
Detected Language	English
Type	Student thesis, info:eu-repo/semantics/bachelorThesis, text
Format	application/pdf
Rights	info:eu-repo/semantics/openAccess