This thesis seeks to understand the formation and representation of local, national and international identities of nations and their societies by critically analysing a big public international art event, the Kochi-Muziris Biennale. It will thus address two complex historical and theoretical problems: first, the role such biennales have had in the nation building process for several Third World countries; second, the established hierarchies in theorizations of contemporary art from the global south. By addressing these problems, it aims to illustrate the issue at the heart of this thesis: to find the praxis which can break the model of binaries and representations established in the concept of modernity.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:liu-165218 |
| Date | January 2020 |
| Creators | Kashatria, Mansi |
| Publisher | Linköpings universitet, REMESO - Institutet för forskning om Migration, Etnicitet och Samhälle, Linköpings universitet, Avdelningen för migration, etnicitet och samhälle |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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