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Previous issue date: 2015-12-14 / O presente trabalho ? uma pesquisa que versa sobre a linguagem dos corpos brincantes da Ciranda - especificamente de Lia de Itamarac?. Interessa-nos observar como esse corpo dan?a, comunica-se, escreve-se no tempo e no espa?o, estabelece rela??es que o complementam e o ajudam a permanecer em constru??o. Assim, de maneira circular e em uma energia que ? transmitida no contato com as m?os, na for?a da can??o, em uma roda que pode ser vista de v?rios lugares, mas por ?ngulos diferentes, cabendo a? as particularidades dos seus sujeitos brincantes/dan?adores/observadores, ? que nos propomos a pensar: quem s?o esses corpos brincantes e como eles constituem as rodas de Ciranda? Para tanto, durante o caminho da pesquisa, fomos conduzidos pelo m?todo fenomenol?gico e, dele, utilizamos as categorias de descri??o, mundo vivido e sens?vel. Interessa-nos, ainda, nessa manifesta??o, o corpo que dan?a e se insere na express?o art?stica, que significa e se abre ao conhecimento pela via da experi?ncia. Assumimos, portanto, uma concep??o de corpo que se referencia na abordagem fenomenol?gica merleaupontyana, assim como, na sua criticidade em rela??o ao corpo como um ser fragmentado, tal qual aponta a teoria Cartesiana. Nessa perspectiva, entendemos o corpo na sua rela??o com os fazeres culturais, sociais, econ?micos e art?sticos que integram a forma??o dele. Ou seja, nas rela??es que nos ajudaram a compreender melhor o corpo que se ?. Dessa maneira, a pesquisa tem como objetivo fundante apresentar reflex?es sobre os corpos brincantes da Ciranda, especificamente, de Lia de Itamarac? e como esse corpo dan?a, se comunica, se escreve no tempo e no espa?o, estabelece rela??es que o complementam e o ajudam a permanecer em constru??o. Tal afirma??o nos leva, neste trabalho, a questionar, por exemplo: o que mobiliza esses sujeitos nessa dan?a? Por fim, asseveramos que essa investiga??o vem ? tona em raz?o da dimens?o que as rodas de Ciranda v?m alcan?ando no pa?s, em especial no Nordeste brasileiro, assim como a exist?ncia de pouca refer?ncia e registro da manifesta??o pesquisada nas esferas acad?micas. ? poss?vel verificar, com a pesquisa, que, em raz?o dessa dissemina??o, as nuances da movimenta??o dos brincantes est? cada vez mais diversificada e que a aus?ncia de viv?ncias na Ilha de Itamarac?-PE, seu ber?o, tem distanciado o car?ter genu?no e comunit?rio, tornando-se, cada vez mais, uma dan?a de outros palcos e pra?as. / This research is a study that deals with the language of the players bodies of Ciranda (a typical dance in circle in Brazil) ? more specifically the one of Lia from Itamarac?. Our interest is to observe how this body dances, communicates, writes on time and space, establishing relations that complement and help to remain in construction. Thus, in a circular way and in an energy that is transmitted with the contact of the touch of the hands, in the power of song, in a circle that can be seen from many places, but by different angles, holding on that the particularities of its subjects players/dancers/observers, and that we propose ourselves to think: who are those players bodies and how do they build the circles of Ciranda? Therefore, during the pathway of the research, we were conducted by the phenomenological method and, from this, used the concepts of lived and sensible world. Our interest in this manifestation is, also, the body that dances and insert itself in the artistic expression, meaning and opening itself to the knowledge by the experience. Therefore, we assume a conception of the body that refers itself in the merleaupontyana fenomenologic approach, in this way, in its criativity in relation to the body as a fragmented being, as it is pointed by the Cartesiana theory. In this perspective, we understand the body in its relations with the culturals, sociais, economics and artistics issues that integrates it, in others words, in the relations that helped us to better understand the body as it is. This way, this research has as main objective to present the refletions about the players body, mainly, of Lia from Itamarac? and with this body to dance, to communicate, to write itself on time and space, estabilishing relations that complement and help to stay in construction. Such a statement leads us in this work, to inquire, for example: what mobilizes those subjects on this dance? We understand that elements as the place that is always in modification, the costumes, the musicality and the change in the movimentation of the players body in each new circle, those elements are factors that activate a permanente reconfiguration that are happening in the Ciranda dance nowadays. Finally, we assert that this investigation comes in reason to the big dimension that the Ciranda has achivied in Brazil, especially in the Northeast, as the existence of few references and registers of the reseach manifestation in the academic areas. It is possible to verify, in this research, that, in reason to this spreading, the nuances of the players bodies is even more diversified and that the missing of experiences on Itamarac? island - PE, its origin has putting away the original and community, becames, more and more, a dance of others stages and squares.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/21236 |
| Date | 14 December 2015 |
| Creators | Otelo, Renata Celina de Morais |
| Contributors | 91386284491, http://lattes.cnpq.br/7003467659704271, Porpino, Karenine de Oliveira, 56613067415, http://lattes.cnpq.br/5255588024266396, Souza, Maria de Lourdes Macena de, 17419794391, http://lattes.cnpq.br/4972226291375320, Vieira, Marcilio de Souza |
| Publisher | Universidade Federal do Rio Grande do Norte, PROGRAMA DE P?S-GRADUA??O EM ARTES C?NICAS, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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