It is a gestural sensibility forever suspended in the material as it cools. With each movement to and fro, I become fully immersed and given over to the activity of glassworking, where the simplest impressions whisper of fantastic melodies. I remain open to it: conducting a collision: a symphony of riffs, vamps and arpeggios. Constructing the chorus in disjunctive phases as if it forms out of its own directive. The polyphonic rhythm of decisions converge into a new composition, now completely obscured from the intro—existing in reference only to itself and you
| Identifer | oai:union.ndltd.org:vcu.edu/oai:scholarscompass.vcu.edu:etd-4369 |
| Date | 07 May 2014 |
| Creators | Deslauriers, R. Abram |
| Publisher | VCU Scholars Compass |
| Source Sets | Virginia Commonwealth University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | © The Author |
Page generated in 0.0022 seconds