In this thesis I have examined how to transcribe sounds from our everyday environments and use them as a tool in composition. The sounds that I transcribed, mainly human speech, make up the basis for two approximately twenty-minute-long original compositions or suites and one shorter piece meant for improvising over a selection of recorded city background noises. The music was written for a “chordless” jazz-quartet, and had its premiere on the 1st of March, 2022. In the first chapter, I explain how I first came to think of this idea, what other musicians and composers already have done in the area, and what the purpose of this thesis is. In the second chapter, I go through my way of both recording and transcribing the sounds and the challenges I met in the process. In chapter three, I cover the compositional process regarding all three pieces, and my thought process regarding the concert. In the fourth chapter, I discuss and problematize the different thoughts and reflections during the project. In the fifth and final chapter, I summarize the project with what I’ve learnt and how I could make use of it in the future. / <p>Medverkande musiker:</p><p>Andreas Lundblom - trumpet</p><p>Marius Zeeberg - tenorsaxofon</p><p>Olle Lannér Risenfors - kontrabas</p><p>Kristian Remnelius - trummor</p><p></p><p>Kompositioner:</p><p>Flight Attendant - Kristian Remnelius</p><p>Promenadpotpurri - Kristian Remnelius</p><p>Tunnelbaneresa - Kristian Remnelius</p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4455 |
| Date | January 2022 |
| Creators | Remnelius, Kristian |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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