In this essay Jon Fosse’s novel Trilogien is explored through the lens of Sigmund Freud’s well-known paper titled “Das Unheimliche”. Fosse has a significant style of writing, which is argued to have a vital influence on the content, specifically the characters and the time. The reading of Freud’s text helps to illuminate the ways in which Fosse’s story is operating on multiple levels at once. The first chapter of the analysis concerns the characters of the book, and how they can be understood by the motif of the double brought from Freud’s essay. It seems that the subject's whole being, and the story alike, is gliding. Subjects aren’t fixed in the world of Trilogien, and with the double motif we understand how that is contributing to the uncanniness felt when reading the book. Time is also not truly reliable here, it is more relative and elastic than the external world. Occurrences keep happening over and over, which are analyzed through Freud’s motif of repetition. When applied, we can see how the legacy of the family and the trauma of experience gives an explanation of how time functions in Trilogien. Lastly, the chapter of form is connected to both of the earlier chapters. Just like subjects and time are repeated, so is the text in itself with sentences being almost circular rather than linear. The story is having a hard time getting through all the worldly repetition, which seems to spill over into the content itself, creating a holistic being whose parts are drifting into each other.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kau-90400 |
| Date | January 2022 |
| Creators | Nilsson Ågren, Lina |
| Publisher | Karlstads universitet, Institutionen för språk, litteratur och interkultur (from 2013) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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