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Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American Musical

This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these textual representations.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1404583
Date12 1900
CreatorsWellborn, Brecken
ContributorsBenshoff, Harry M., Porst, Jennifer, Vickery, Jacqueline
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatviii, 160 pages, Text
CoverageUnited States
RightsPublic, Wellborn, Brecken, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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