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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
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Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 1 to 3 of 3 (0.039 seconds)Spelling suggestions: "subject:"lusical film"" "subject:"lusical ilm""
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Les masculinités dans les films musicaux et les mélodrames de Jacques Demy et Vincente Minnelli / Masculinities in the musical films and melodramas by Vincente Minnelli and Jacques DemyBouarour, Sabrina 11 December 2018 (has links)
Cette thèse explore les masculinités comme un terrain pluridisciplinaire pour penser les rapportsde pouvoir. A partir d’un rapprochement entre les films musicaux et les mélodrames réalisés parJacques Demy et Vincente Minnelli, ce travail examine les performances masculines dans lecontexte de l’après-guerre. Cette période de transformations sociales voit l’avènementd’une culture filmique transatlantique qui interroge et remet en cause les normes liées au genreet à la sexualité. Articulant approches esthétique et actorale, l’étude de la mise en scène met aujour la production de discours genrés ambivalents, historicisés en fonction des spécificités socio-culturelles propres aux cadres de production hollywoodien et français. Le film musical et lemélodrame, dans leur esthétique camp, se révèlent des lieux de négociations identitaires où seconstruit un rapport inédit au politique. On montre ici que les deux cinéastes, réunis par leur stylemélodramatique analogue, imaginent et rêvent des modèles de masculinités alternatives fondéessur des valeurs empathiques. Devant la caméra, la vulnérabilité, les émotions et les grandssentiments deviennent des armes politiques pour refonder et réinventer la communauté. / This thesis explores masculinities as a multidisciplinary field for thinking power relations. By connecting musical films and melodramas by Jacques Demy and Vincente Minnelli, this work examines male performances in the post-war context. This period of social transformations has given rise to the emergence of a transatlantic film culture that questions and challenges normsrelated to gender and sexuality. Articulating aesthetic and cultural studies approaches, the study of mise en scène brings to light the production of ambivalent gendered discourses, historicized according to the specific socio-cultural aspect of Hollywood and French film production environments. Musical films and melodramas, through their camp aesthetics, reveal themselvesas spaces of identity negotiation where an unprecedented rapport with politics is constructed. Both filmmakers, united by their similar melodramatic style, imagine and dream about models of alternative masculinities based on empathic values. In front of the camera, vulnerability, emotions and strong feelings become political weapons to refound and reinvent the community.
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Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerraMartucci, Maurício Dotto 10 September 2010 (has links)
Made available in DSpace on 2016-06-02T20:23:11Z (GMT). No. of bitstreams: 1
3419.pdf: 1908813 bytes, checksum: 00e2359e53f73b176da4dec0219ba4aa (MD5)
Previous issue date: 2010-09-10 / The film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyd´s concept album, tells the Pink´s story, a musician, that was born in England during the World War II final years, he had his father died in a battle and this fact start a process of depression and melancholy that culminate in his total apathy towards life. This research has its focus on the literary content of the songs from the original album, the aim is study the film formal structure, its differences, similarities and complementarities comparing to the album narrative, observing the translation and artistic recreation process from the album to the movie and also confirming the dialogical relations between the different problems, contextualization, languages and representations explored in this art piece. / O filme Pink Floyd The Wall, adaptação para o cinema do álbum conceitual da banda Pink Floyd, narra a história, desde a infância até sua completa alienação, do protagonista Pink, um músico nascido na Inglaterra nos anos finais da Segunda Guerra Mundial, cuja morte do pai durante a guerra lhe desencadeia um processo de depressão e melancolia que culmina em sua total apatia diante da vida. A presente pesquisa, tendo como foco o teor literário das canções do álbum original, tem por objetivo o estudo da estrutura formal do tecido fílmico, suas diferenças, semelhanças e complementaridades com a narrativa musical contida no álbum, observando e constatando os processos de tradução e recriação de uma obra para outra, além das relações dialógicas entre as diferentes problemáticas, contextualizações, linguagens e representações exploradas na obra.
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Musicals and the Margins: African-Americans, Women, and Queerness in the 21st Century American MusicalWellborn, Brecken 12 1900 (has links)
This thesis provides an overview of the various ways in which select marginalized identities are represented within the twenty-first century American musical film. The first intention of this thesis is to identify, define, and organize the different subgenres that appear within the twenty-first century iterations of the musical film. The second, and principal, intention of this thesis is to explore contemporary representations of African-Americans, women, and queerness throughout the defined subgenres. Within this thesis, key films are analyzed from within each subgenre to understand these textual representations.
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