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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

The body of light poems /

Matheny, Alicia. January 2007 (has links)
Theses (M.A.)--Marshall University, 2007. / Title from document title page. Includes abstract. Document formatted into pages: contains v, 68 pages.
2

I Am Not Frightened - Work for Wind Ensemble

Schultz, Brandon 01 May 2023 (has links) (PDF)
I Am Not Frightened is a work for wind ensemble. This piece lasts around ten minutes and is inspired by confrontations with death and how to move past them. Musical inspiration comes from Pink Floyd, Greta Van Fleet, John Mackey, and James Stephenson. The title of the piece refers to the spoken lyrics found in Pink Floyd's “The Great Gig in the Sky” from their 1973 album The Darkside of the Moon. These lyrics come from the band asking Abby Road Studio workers while recording the album, if they are afraid of dying. A janitor named Gerry O’Driscoll provided the lyrics that inspired this piece: “And I am not frightened of dying. Any time will do, I don't mind. Why should I be frightened of dying? There's no reason for it – you've got to go some time.” This thought process of accepting that death is as much a part of life as
3

O surrealismo e a fotografia nas narrativas das capas de discos: um olhar da agência Hipgnosis. / The onyric and the photograpfy in the narratives of the disc covers, a look at the hipgnosis agency.

Grecco, José Vicente Azzi 10 May 2018 (has links)
A fotografia ocupa um lugar significativo no universo do design gráfico. Acredita-se que a agência inglesa Hipgnosis, criada por Storm Thorgerson e Aubrey Powell, tenha dado início ao processo conhecido como fotodesign, cujo propósito é inserir a imagem fotográfica como comunicador não verbal. A abordagem da Hipgnosis no design gráfico começou a partir de ensaios fotográficos e uso de técnicas de manipulação da imagem em laboratório fotográfico, com filmes preto e branco, coloridos e infravermelho. O trabalho desenvolvido pela agência era diretamente com bandas de rock and roll do cenário Inglês e Norte Americano, a partir dos anos 1960. Este procedimento usufruiu da influência que os movimentos artísticos Dadaísmo, Surrealismo e Pop Arte apresentaram nos métodos sobre as criações das capas de discos musicais do cenário londrino nos anos 1960, e consequentemente alternativas ao design gráfico da época. Esta pesquisa qualitativa com caráter exploratório e fenomenológico visa apresentar o percurso do processo pré digital da fotografia no design gráfico como foco principal da abordagem através dos trabalhos realizados pelos designers Aubrey Powell e Storm Thorgerson, titulares da agência Hipgnosis. / Photography occupies a significant place in the universe of graphic design. It is believed that the English agency Hipgnosis, created by Storm Thorgerson and Aubrey Powell, has initiated the process known as fotodesign, whose purpose is to insert the photographic image as non-verbal communicator. Hipgnosis\' approach to graphic design began with photographic essays and the use of image manipulation techniques in the photographic laboratory, with black and white, color and infrared films. The agency\'s work was directly with rock and roll bands from the English and North American scene from the 1960s. This procedure enjoyed the influence that the artistic movements Dadaism, Surrealism and Pop Art presented methods on the creations of the covers of musical disks of the London scene in the 1960s, and consequently alternatives to the graphic design oto the period. This qualitative exploratory and phenomenological research aims to present the course of the pre digital photography process in graphic design as the main focus of the approach through the works realized by the designers Aubrey Powell and Storm Thorgerson, head of the agency Hipgnosis.
4

La musique psychédélique britannique

Pire, Alain 24 November 2009 (has links)
La musique psychédélique britannique est née grâce à la conjonction de quatre facteurs : 1. Un contexte socio-économique et culturel extrêmement favorable. 2. La présence simultanée d'un nombre significatif de musiciens de grand talent 3. La disponibilité de drogues psychédéliques sur le territoire britannique. 4. Une série d'innovations technologiques qui ont modifié les perspectives de création sonore. Cette thèse analyse l'interaction entre ces quatre éléments et en détermine l'importance respective pour la genèse du style musical
5

A rhetorical analysis of Pink Floyd's The wall

Limeberry, John January 1989 (has links)
Through an examination of the album The Wall by the group Pink Floyd, the intention of this study was to answer questions such as tale following in hopes that a clearer understanding of The Walls popularity might be obtained. What are the major and minor events in this musical narrative? Who are the main characters in -111ne narrative? What cause-and-effect relationships are established in the narrative? now did The Wall function rhetorically in achieving a sense of identification with contemporary listeners?The study found that The Wall achieved identification through the use of its themes which centered around war, derisive school systems, parental overprotection. collapse, and extreme alienation.The study notes that The Wall contained substantial social commentary, and states that the rock music form, often belittled as nothing more than hedonistic escapism, is capable of producing work worthy of scholarly examination. / Department of Speech Communication
6

Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra

Martucci, Maurício Dotto 10 September 2010 (has links)
Made available in DSpace on 2016-06-02T20:23:11Z (GMT). No. of bitstreams: 1 3419.pdf: 1908813 bytes, checksum: 00e2359e53f73b176da4dec0219ba4aa (MD5) Previous issue date: 2010-09-10 / The film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyd´s concept album, tells the Pink´s story, a musician, that was born in England during the World War II final years, he had his father died in a battle and this fact start a process of depression and melancholy that culminate in his total apathy towards life. This research has its focus on the literary content of the songs from the original album, the aim is study the film formal structure, its differences, similarities and complementarities comparing to the album narrative, observing the translation and artistic recreation process from the album to the movie and also confirming the dialogical relations between the different problems, contextualization, languages and representations explored in this art piece. / O filme Pink Floyd The Wall, adaptação para o cinema do álbum conceitual da banda Pink Floyd, narra a história, desde a infância até sua completa alienação, do protagonista Pink, um músico nascido na Inglaterra nos anos finais da Segunda Guerra Mundial, cuja morte do pai durante a guerra lhe desencadeia um processo de depressão e melancolia que culmina em sua total apatia diante da vida. A presente pesquisa, tendo como foco o teor literário das canções do álbum original, tem por objetivo o estudo da estrutura formal do tecido fílmico, suas diferenças, semelhanças e complementaridades com a narrativa musical contida no álbum, observando e constatando os processos de tradução e recriação de uma obra para outra, além das relações dialógicas entre as diferentes problemáticas, contextualizações, linguagens e representações exploradas na obra.

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