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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Four aspects of the music of the Beatles: instrumentation, harmony, form, and album unity.

Stetzer, Charles William, January 1976 (has links)
Thesis (M.A.)--University of Rochester, 1976. / Typewritten. "A discography of the Beatles' American long-playing albums": l.99-105. Bibliography: l. 162. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/10210
2

The music of the Beatles from 1962 to Sergeant Pepper's Lonely Hearts Club Band

O'Grady, Terence J. January 1900 (has links)
Thesis--University of Wisconsin--Madison. / Vita. Includes bibliographical references (leaves 488-491).
3

Die Bedeutung der Beatles im Wandel der Zeiten von 40 Jahren Popmusik

Finsch, Susanne January 2008 (has links)
Zugl.: Examensarbeit
4

"Get back to where you once belonged" : the Beatles, post-colonialism, and religion /

Hann, Corinna. January 2008 (has links)
Thesis (Honors)--College of William and Mary, 2008. / Includes bibliographical references (leaves 105-108). Also available via the World Wide Web.
5

Covering music : tracing the semiotics of Beatles album covers through the cultural circuit

McGuire, Meghan. January 2005 (has links)
Thesis (M.A.)--Bowling Green State University, 2005. / Document formatted into pages; contains vi, 51 p. : col. ill. Includes bibliographical references.
6

Die Beatles-Songs : Analysen zur Harmonik und Melodik /

Villinger, Alexander. January 2006 (has links)
Universiẗat, Diss.--Freiburg (Breisgau), 1983.
7

Covering Music: Tracing the Semiotics of Beatles'Album Covers Through the Cultural Circuit

McGuire, Meghan S. 04 April 2005 (has links)
No description available.
8

The Beatles: ensaio sobre a ?tica do amor

Anjos, Francisco Fl?vio Oliveira dos 01 October 2007 (has links)
Made available in DSpace on 2014-12-17T14:19:41Z (GMT). No. of bitstreams: 1 FranciscoFOA.pdf: 4831643 bytes, checksum: e33aa8f9e7b0c8b85838c0900e6f1167 (MD5) Previous issue date: 2007-10-01 / The thesis intends to discuss the ethics by the way of love. So, it uses as a mention the musical work and the set of attitudes of the group that changed the way of thinking across the 20th Century mass-comm, entering a new way of thinking about the World: The Beatles. Analyzing the lyrics and the writing of the songs was searched the comprehension of he intrinsic love message at the Ethics it expresses. At the musical art of The Beatles political messages had been announced in a time that the World sought a Ethic way beyond the several declared war and the Cold War. Taking the Edgar Morin works as a base, O m?todo 6, ?tica (2005), it sought to understand the idea who permeates the human relations: the good, the possible, the necessary. Another works used as a cognitive base were Meus dem?nios (2003), Cultura de massas no S?culo XX: neurose (2005), Cultura de massas no S?culo XX (2006), The Beatles Anthology (2000) and Many years from now (2000). Holding the Ethics idea showed by Morin were established imaginary lines that perpass the behavior of the group known in the entire World understood till nowadays as tolerance, comprehension, peace, love and endurance messengers. The Beatles operate during the sixties a musical reborn, which allowed to the people the discussion and the reflexion about the World and the human being new behavior,endurance but acting with tolerance. Permeating the basic study, we find the Beatles way, the group origin, the fast walk till success, the spiritual choice, who guide their behavior and the end of the band. The music used as a masscomp instrument passes by the condition of a simple way of communicating. It deeply action feeds feelings, allows transcendence and is showed as target of human being transformation. The Ethics in music passes by the ideological barriers and becomes to comprehension with a clear synthony for the man, cause the polyphony and the new musical order establish the messages worldwide / O trabalho pretende discutir a ?tica pela via do amor. Para tanto, utiliza como refer?ncia a obra musical e o conjunto de posturas do grupo que modificou as mentalidades atrav?s da cultura de massa no s?culo XX, introduzindo uma nova forma de pensar o mundo, The Beatles. Analisando as letras das m?sicas do grupo e a feitura das can??es, procurou-se compreender a mensagem de amor intr?nseca na ?tica expressa. Na arte musical dos Beatles foram anunciadas mensagens pol?ticas numa ?poca em que o mundo buscava um direcionamento ?tico frente ?s in?meras guerras declaradas e ? cruel guerra fria. A partir da obra direcionadora de Edgar Morin, O m?todo 6, ?tica (2005), buscou-se compreender a id?ia que permeia as rela??es humanas: o bem, o poss?vel e o necess?rio. Outras obras que servem de suporte cognitivo foram Meus Dem?nios (2003) e Cultura de Massas no S?culo XX: necrose (2006), ambas do mesmo autor, Edgar Morin, e ainda The Beatles, Antologia (2000). Detendo a id?ia de ?tica apresentada por Morin, foram tra?adas linhas imagin?rias que perpassam as posturas do grupo de rapazes conhecido no mundo inteiro, e que at? os dias atuais s?o entendidos como mensageiros da toler?ncia, da compreens?o, da paz, do amor e da resist?ncia. Os Beatles operaram durante a d?cada de 1960 um renascimento musical, o qual permitiu ?s massas a discuss?o e a reflex?o acerca do mundo e da nova postura do humano, resistente, embora tolerante. Permeando o estudo central, apresenta-se a trajet?ria dos Beatles, a origem do grupo, a caminhada r?pida ao sucesso, a busca espiritual orientadora da conduta do grupo e o seu fim. A m?sica utilizada como instrumento de comunica??o de massa ultrapassa a condi??o de simples comunicadora. Sua a??o mais profunda alimenta sentimentos, permite a transcend?ncia e configura-se como objeto de transmuta??o do humano. A ?tica na m?sica perpassa as barreiras ideol?gicas e chega ? compreens?o numa clara sintonia para o homem, pois a polifonia e a nova ordem musical estabelecem uma universaliza??o das mensagens
9

Deutsche Schlager und englische Popmusik in Deutschland : ideologiekrit. Unters. zweier Textstile während d. Jahre 1960-1970 /

Stölting-Lütgerhorst, Elke. January 1975 (has links)
Zugl.: Bochum, University, Diss., 1974.
10

[en] TICKET TO RIDE: THE TENSIONS BETWEEN THE COUNTERCULTURE MOVEMENT AND CONSUMPTION IN BEATLES LYRICS / [pt] TICKET TO RIDE: AS TENSÕES ENTRE CONSUMO E CONTRACULTURA NAS LETRAS DE MÚSICA DOS BEATLES

LUCIANA VILLELA DE MORAES SARMENTO 02 October 2006 (has links)
[pt] A contracultura foi um movimento impulsionado pela juventude da década de 1960 que se chocou com a sociedade capitalista e ia contra os seus princípios. Entretanto, para que este movimento de contracultura pudesse se desenvolver, ele necessitava da cultura de massa - que pertence à sociedade capitalista - para se desenvolver e espalhar sua mensagem pelo mundo. São essas tensões entre consumo e contracultura que são detalhadas nesta dissertação, a partir das letras das músicas dos Beatles (grupo musical que foi um dos maiores ícones da contracultura) que retratam, de alguma forma, o universo do consumo. / [en] The counterculture was a movement impulsed by the young people in the 1960 s decade that ran into the capitalist society and it s principals. However, for this movement to work, it needed the mass culture - that belongs to the capitalist society - to spread it s message around the world. These tensions between the counterculture movement and consumption are detailed on this dissertation, inspired on the Beatles lyrics (a rock group that was one of the most popular icons of the countercultere movement) that shows, in some way, the consumption s universe.

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