I conduct a series of experiments culminating in a gallery exhibition, I Never Stopped Being A Curator, which investigate and reinterpret what it means to ‘care’ and ‘profane’ in the context of an expanded notion of curatorial practice. I call what I’m doing ‘performative micro-curating,’ a playfully performative practice with precedents dating back to Marcel Duchamp and The Richard Mutt Case. More specifically, I’m interpreting and practising performative micro-curating as a relational, meta-conceptual art practice that uses mirroring and repetition as a method for posing questions, making knowledge and forging social bonds, while, at the same time, dissolving the boundaries that customarily distinguish artmaking from curating.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:MWU.1993/22174 |
| Date | 11 September 2013 |
| Creators | Dahle, Sigrid |
| Contributors | Neufeld, Mark (School of Art), Poruchnyk, Alex (School of Art) Mahrenholz, Simone (School of Art) Sweeney, Shelley (University of Manitoba Archives & Special Collections) |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Detected Language | English |
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