There are many useful guidelines and theories to be found on mixing and mastering. One of these statements is that the monitoring level affects how well one can detect and evaluate the Dynamic Range Compression (DRC) when mixing. However, some of the sources that support this idea are contradictory as to whether a low or high monitoring level is better for this purpose. No previous research on this subject has been found, even though monitoring levels are presumed to be essential for the mixing and mastering engineer. The aim of the study was to investigate if the monitoring level will affect the listeners’ detection threshold for DRC when applied to a vocal track. For this, one higher and one lower monitoring level was chosen, and a simple up-down method was used to obtain the X50 in each monitoring condition, in which these were compared. The results indicate that the monitoring level does not affect the listeners’ threshold of detection for DRC. Moreover, it can be stated that the monitoring level in which the participants had the most habit of working in did not affect the result either. This research can be used to take more informed decisions regarding monitoring levels and to revisit some previous observations.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:ltu-103171 |
| Date | January 2023 |
| Creators | Olofsson, Joakim |
| Publisher | Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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