Return to search

The Occult as a Dramatic Device in Shakespearean Tragedy

What this study will demonstrate is that Shakespeare's use of occult manifestations is not as superficial as it is sometimes said to be. On the contrary, it is the contention of this study that, especially in certain of the major tragedies, occult phenomena are integral to the main action, provide the play with essential motivation, and, in fact, are indispensable to a proper resolution.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc130846
Date08 1900
CreatorsGray, Myrtle Seldon
ContributorsHenderson, Sam H., Holland, Reginald Valentine, 1916-
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatiii, 96 leaves, Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Gray, Myrtle Seldon

Page generated in 0.0016 seconds