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Attractive Oblivions: Identity, Queer Theory, and Heterotopias in Ari Aster’s Midsommar and Margaret Atwood’s The Heart Goes Last

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1. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1588779950446869

Identifer	oai:union.ndltd.org:OhioLink/oai:etd.ohiolink.edu:ysu1588779950446869
Date	18 May 2020
Creators	Reese, Emily
Publisher	Youngstown State University / OhioLINK
Source Sets	Ohiolink ETDs
Language	English
Detected Language	English
Type	text
Source	http://rave.ohiolink.edu/etdc/view?acc_num=ysu1588779950446869
Rights	unrestricted, This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.