This thesis investigates the role of recording techniques in immersive music production, aiming to balance practicality and necessity. Through four case studies involving harp, piano, sitar and an original music production inspired by a letter, the research examines how the creative process within music production and recording techniques are influenced by immersive music in mind. Utilizing qualitative observation and quantitative technical experiments, the study documents the process and outcomes, revealing the significance of immersive microphone techniques for maintaining realistic spatialization. Future directions include further exploration of recording techniques and creative applications within immersive music production. By comparing various recording methods, this work contributes a unique perspective to the field, enhancing our understanding of the interplay between technology, creativity, and musical immersion. / <p><strong>Harp: </strong>Improvised piece played by Pauline Burke-Clason. Files: Harp_ADM_Mix1.wav, Harp_Binaural _Mix1.wav,Harp_ADM_Mix2.wav, Harp_Binaural _Mix2.wav and Harp_StereoReference.wav.</p><p>Shorter versions of these files are available on DiVa, while the complete files are stored at the Royal College of Music in Stockholm.</p><p><strong>Grand Piano: </strong><em>Maurice Ravel - Miroirs, No.5, La vallée des cloches</em>, played by Herdís Ágústa Linnet. Files:MauriceRavel-VLaValleeDesCloches_ADM_Mix1.wav, MauriceRavel-VLaValleeDesCloches_Binaural _Mix1.wav, MauriceRavel-VLaValleeDesCloches_ADM_Mix2.wav, MauriceRavel-VLaValleeDesCloches_Binaural_Mix2.wav and MauriceRavel-VLaValleeDesCloches_StereoReference.wav.</p><p>Shorter versions of these files are available on DiVa, while the complete files are stored at the Royal College of Music in Stockholm.</p><p><strong>Sitar: </strong>Improvised piece played by Arjun K. Verma. Files: Sitar_ADM.wav, Sitar_Binaural.wav och Sitar_StereoReference.wav.</p><p>21 seconds of this piece is used in this project.</p><p><strong>The Dream: </strong>Song written and produced by Basma Jabbar.</p><p>Acoustic guitar arranged by and played by Tom Jondelius.</p><p>Electric guitar arranged by and played by Chris Lee.</p><p>Drums played by Felix Kling.</p><p>Strings by Stockholm Studio Orchestra:</p><p>Violin: Anna Roos Stefansson, Claudia Bonfiglioli, Danial Shariati, Jannika Gustafsson, Jonna Simonsson, Lola Torrente, Oscar Treitler, Paul Waltman, Sarah Cross, Simona Bonfiglioli, Vicky Sayles.</p><p>Viola: Christopher Öhman, Erik Holm, Shahar Rosenthal, Vidar Andersson Meilink.</p><p>Cello: Daniel Thorell, Filip Lundberg, Josef Alin.</p><p>Double Bass: Bård Ericson.</p><p>Strings arranged by Henrik Langemyr.</p><p>Strings conducted by Erik Arvinder.</p><p>Strings recorded & engineered by Willem Bleeker & Erik Arvinder, assisted by Basma Jabbar.</p><p>Files: TheDream_ADM.wav, TheDream_Binaural.wav and TheDream_StereoReference.wav.</p><p>Shorter versions of these files are available on DiVa, while the complete files are stored at the Royal College of Music in Stockholm.</p><p>If nothing else is stated, recording and mixing engineer is Basma Jabbar.</p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-5383 |
| Date | January 2024 |
| Creators | Jabbar, Basma |
| Publisher | Kungl. Musikhögskolan, Institutionen för musik- och medieproduktion |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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