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Previous issue date: 2015-12-09 / Adapting literature to movies has been constantly studied since the Seventh Art
became a forming part of the Western Culture. However, adapting implies choices that
may encumber the structures upon which the novel is established. The simple fact that
the novel has to be shorten to a limited quantity of minutes presents, on its own,
decisions that, most of the times, dissatisfies both audience and critics that await for,
while at the film mode, an authentic reproduction of the literary piece. Deeply criticized,
the adaptation of The Color Purple is to be studied at this work.
Constructed as an epistolary novel, Alice Walker’s best seller was published in 1982
and adapted by Steven Spielberg in 1985. By analyzing these corpora, the main goal
here is to unveil the adaptation mechanisms that were used in the transformation
process from the book to the movie. In order to study the adaptation, theorists like
George Bluestone, Linda Hutcheon, Siobhan O’Flynn, Cristian Metz, Sarah Kozloff are
of urgent importance. Elizabeth H. Cook, Amanda Gilroy, W.M. Verhoeven, Linda
Kauffman, Mary Favret are taken as essential names in order to comprehend the
structure of the epistolary novel. / A adaptação da literatura ao cinema tem sido estudada vigorosamente desde que a
Sétima Arte se tornou parte integrante da cultura ocidental. No entanto, adaptar
implica escolhas que podem desestabilizar os alicerces sob os quais o romance se
estrutura. O simples fato de ter que reduzir um romance a uma quantidade delimitada
de minutos já denota decisões que muitas vezes descontentam público e crítica que
esperam, na narrativa fílmica, uma reprodução fidedigna da narrativa literária. Tendo
essa perspectiva em mente, objetiva-se, aqui, estudar a adaptação de A Cor Púrpura
(The Color Purple).
Estruturado como um romance epistolar, o best seller de Alice Walker foi publicado
em 1982 e adaptado por Steven Spielberg em 1985.Partindo da análise desse
corpora, objetiva-se, neste trabalho, desvendar os mecanismos adaptativos que foram
empregados no processo de transformação do romance ao filme. Para o estudo da
adaptação, teóricos como George Bluestone, Linda Hutcheon, Siobhan O’Flynn,
Cristian Metz, Sarah Kozloff são de suma importância Já Elizabeth H. Cook, Amanda
Gilroy, W.M. Verhoeven, Linda Kauffman, Mary Favret revelam-se essenciais à
compreensão da estrutura do romance epistolar.
| Identifer | oai:union.ndltd.org:IBICT/oai:tede.mackenzie.br:tede/3019 |
| Date | 09 December 2015 |
| Creators | Dimitrov, Luciana Duenha |
| Contributors | Pereira, Helena Bonito Couto, Alvarez, Aurora Gedra Ruiz, Corrêa, Lilian Cristina, Junqueira, Maria Aparecida, Morais, Osvando José de |
| Publisher | Universidade Presbiteriana Mackenzie, Letras, UPM, Brasil, Centro de Comunicação e Letras (CCL) |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/doctoralThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações do Mackenzie, instname:Universidade Presbiteriana Mackenzie, instacron:MACKENZIE |
| Rights | http://creativecommons.org/licenses/by-nc-nd/4.0/, info:eu-repo/semantics/openAccess |
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