In this bachelor thesis I explore the process of writing music for a concert performed as a suite. I investigate how the restrains of a thematically bound concert affect my ways of composing and performing and I reflect on how my role as a singer takes part in the composing as well as performing state of the project. My ambition was to make a concert where the lack of applause, pause and interaction with the audience would create an isolated atmosphere where the concert format would emphasize the topic and tell a story. In this thesis I look into the details of other musicians’ work, categorizing different methods of linking music together. Later on, I address the writing process, the rehearsals and preparations, and the process of connecting every song to create a seamless concert. At the end I reflect on the constraints around theme and format, and how that shaped this project. I also discuss the role of my voice in writing as well as performing. Lastly, I summarize some of the insights this process provided and I offer new ideas on how to evolve similar projects in the future. / <p>Medverkande:</p><p>Ima Baeza Bilgin - elpiano</p><p>Mikael Wilhelmsson - flygel</p><p>Magnus Jonasson - Trummor</p><p>Joel Henryson - Elbas, synth</p><p>Paula Wegmann - kör</p><p>Lisa Holmgren - kör</p><p>Jenny Hedman - kör</p><p>Vilma Ogenblad - sång, elektronik</p>
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:kmh-4132 |
| Date | January 2020 |
| Creators | Ogenblad, Vilma |
| Publisher | Kungl. Musikhögskolan, Institutionen för jazz |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | Vilma Ogenblad |
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