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Previous issue date: 2015-09-04 / FACEPE / Quando do surgimento dos primeiros cemitérios públicos no Brasil, uma personagem
marcante - presente em grande quantidade nos pomposos cortejos fúnebres oitocentistas
- se fez representar na pedra. Estas personagens foram figuras femininas, largamente
representadas nas sepulturas, estando ligadas a valores, ideais, emoções e apresentandose
sob diversas formas e trejeitos, inspirados, sobretudo, em um estilo neoclássico.
Contudo esta onipresença do feminino nas necrópoles fundadas em meados do século
XIX contrasta com a ausência das mulheres de carne e osso na vida pública das
províncias, sendo guiadas basicamente pelo discurso e modo de ver masculino, que as
restringiam ao âmbito do lar. Cabe a esta dissertação, portanto, identificar as muitas
formas de representação do feminino na necrópole de Santo Amaro (entre 1870 e 1930),
considerar a relação entre elas, o cotidiano e os discursos das elites sobre os “papeis
sociais das mulheres”. Assim, procuro apresentar um espaço onde a iconografia
feminina prosperou, dissertando sobre alguns motivos para tanto. Deste modo, no texto
que segue, o leitor encontrará um pouco do cotidiano oitocentista do Recife, com seus
contrastes de classe, raça e gênero; visualizará os aspectos fúnebres desta cidade em
contraste com outras províncias do período e descortinará os dois lados, as duas faces da
morte: o primeiro, aterrador, sofrível e pútrido e o segundo, aparente, belo e delicado
que busca encobrir o primeiro. / In the emergence of the first public cemeteries in Brazil, a remarkable character -
present in large quantities in the pompous funeral processions of the nineteenth century
- was represented in stone. These characters were female figures, widely represented in
the graves, being connected to values, ideals, emotions and presenting themselves in
various forms and mannerisms, especially inspired by a neo-classical style. However,
this omnipresence of women in the necropolis founded in the mid-nineteenth century
contrasts with the absence of women of flesh and blood in the public life of the
provinces, being guided primarily by speech and male way of seeing, that restricted
them in the scope of home. It is up to this thesis, therefore, to identify the many forms
of female representation in the necropolis of Santo Amaro (between 1870 and 1930), to
consider the relationship between them and the daily life and the speeches of the elites
on the "social roles of women". Thus, I try to present a space where the female
iconography flourished, expounding some reasons for this. Thereby, in the following
text the reader will find some of the nineteenth-century everyday Recife, with its class,
race and gender contrasts; will see the funeral aspects of the city in contrast to other
provinces of the period and will uncover the two sides, the two faces of death: the first
terrifying, endurable and putrid and the second apparent, beautiful and delicate, which
seeks to cover up the first.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufpe.br:123456789/18474 |
| Date | 04 September 2015 |
| Creators | SILVA JÚNIOR, Roberto Barreto Marques e |
| Contributors | http://lattes.cnpq.br/0000915103413742, LIMA, Antonio Carlos Mota de |
| Publisher | Universidade Federal de Pernambuco, Programa de Pos Graduacao em Antropologia, UFPE, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFPE, instname:Universidade Federal de Pernambuco, instacron:UFPE |
| Rights | Attribution-NonCommercial-NoDerivs 3.0 Brazil, http://creativecommons.org/licenses/by-nc-nd/3.0/br/, info:eu-repo/semantics/openAccess |
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