While John Keats never traveled to America and only wrote a handful of admittedly hostile lines about it in his poetry, American writers and readers have consistently regarded Keats as one of the greatest and most influential poets of the past two centuries. His critical reputation in America has been stable since the 1840s, enduring throughout changing tastes and movements, and his biography and work have been utilized in manifold appropriations by American poets and writers. I examine Keats’s attitude toward the United States—which was in conflict with the general feeling regarding the country by his fellow Romantic poets—and briefly review the American reception of Keats’s poetry in the late nineteenth and twentieth centuries before considering quintessential appropriations of Keats and the Keats biography in works by three American poets: Amy Clampitt, Stanley Plumly, and B.H. Fairchild.
| Identifer | oai:union.ndltd.org:ETSU/oai:dc.etsu.edu:etd-4445 |
| Date | 01 May 2016 |
| Creators | Hall, Jessica |
| Publisher | Digital Commons @ East Tennessee State University |
| Source Sets | East Tennessee State University |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Electronic Theses and Dissertations |
| Rights | Copyright by the authors. |
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